References
- Filmography
- Baby Steps, Taiwan, 2015, d: Barney Cheng.
- Berghahn, D. (2013). Far-flung families in film: The diasporic family in contemporary European cinema. Edinburgh University Press.
- Berry, M. (2012). The absent American: Figuring the United States in Chinese cinema of the reform era. In Y. Zhang (Ed.), Companion to Chinese cinema (pp. 552–574). Wiley-Blackwell.
- Better Luck Tomorrow, USA, 2002, d: Justin Lin.
- Bohr, Y., & Tse, C. (2009). Satellite babies in transnational families: A study of parents’ decision to separate from their infants. Infant Mental Health Journal, 30(3), 265–286. https://doi.org/10.1002/imhj.20214
- Butler, J. (1997). The psychic life of power: Theories in subjection. Stanford University Press.
- Capernaum, Lebanon, 2018, d: Nadine Labaki.
- Chen, E. W.-C., & Yoo, G. J. (2010). The greenwood encyclopedia of Asian American issues today. Greenwood Press.
- Children of Invention, USA, 2010, d: Tze Chun.
- Chow, R. (1996). Women in the Holocene: Ethnicity, fantasy, and the film The Joy Luck Club. In C. Luke (Ed.), Feminisms and pedagogies of everyday life (pp. 204–221). State University of New York Press.
- Chua, A. (2011). Battle Hymn of the tiger mother. The Penguin Press.
- Dargis, M. (2010). That American dream: Scheme and scramble. The New York Times. https://www.nytimes.com/2010/03/12/movies/12children.html
- Donald, S. H. (2018). There’s no place like home: The migrant child in world cinema. I.B. Tauris.
- Eat a Bowl of Tea, USA, 1989, d: Wayne Wang.
- Ebert, R. (2012). A father who deserves his son. https://www.rogerebert.com/reviews/in-the-family-2012
- The Farewell, USA, 2019, d: Lulu Wang.
- Feng, P. X. (2002). Identities in motion: Asian American film and video. Duke University Press.
- Flower Drum Song, USA, 1961, d: Henry Koster.
- Glenn, E. N. (1983). Split household, small producer, and dual wage earner: An analysis of Chinese American family strategies. Journal of Marriage and the Family, 45, 35–46. https://doi.org/10.2307/351293
- A Grandson from America, China, 2012, d: Jiangtao Qu.
- The Guasha Treatment, China, 2001, d: Zheng Xiaolong.
- The Half of It, USA, 2020, d: Alice Wu.
- Hartlep, N. D. (2013). The model minority stereotype: Demystifying Asian American. Information Age Publishing.
- Herzberg, Q. X., & Herzberg, L. (2012). Chinese proverbs and popular sayings: With observations on culture and language. Stone Bridge Press.
- Hirsch, M. (2012). The generation of postmemory: Writing and visual culture after the holocaust. Columbia University Press.
- Huang, C., Cheah, C., Lamb, M., & Zhou, N. (2017). Associations between parenting styles and perceived child effortful control within Chinese families in the United States, the United Kingdom, and Taiwan. Journal of Cross-Cultural Psychology, 48(6), 795–812. https://doi.org/10.1177/0022022117706108
- In the Family, USA, 2011, d: Patrick Wang.
- Jorae, W. R. (2009). The children of Chinatown: Growing up Chinese American in San Francisco, 1850–1920. University of North Carolina Press.
- The Joy Luck Club, USA, 1993, d: Wayne Wang.
- Kitano, H. H., & Daniels, R. (1988). Asian Americans: Emerging minorities. Prentice-Hall.
- Liu, D. P. (1999). Asian/American: Historical crossings of a racial frontier. Stanford University Press.
- Lury, K. (2010). Child in film: Tears, fears and fairy tales. I. B. Tauris.
- Minding the Gap, USA, 2018, d: Bing Liu.
- The Motel, USA, 2005, d: Michael Kang.
- My American Grandson, Hong Kong, 1991, d: Ann Hui.
- My Mother Thought She Was Audrey Hepburn, USA, 1992, d: Sharon Jue.
- Naficy, H. (2001). An accented cinema: Exilic and diasporic filmmaking. Princeton University Press.
- Ng, J. C., Lee, S. S., & Pak, Y. K. (2007). Contesting the model minority and perpetual foreigner stereotypes: A critical review of literature on Asian Americans in education. Review of Research in Education, 31(1), 95–130. https://doi.org/10.2307/20185103 doi: 10.3102/0091732X07300046095
- Osajima, K. (1988). Asian Americans as the model minority: An analysis of the popular press image in the 1960s and 1980s. Routledge Press.
- Oxnam, R. (1986). Why Asians succeed here. New York Times Magazine, pp. 89–90.
- Petersen, W. (1966a). Success story of one minority group in US. US News and World Report, pp. 73–76.
- Petersen, W. (1966b). Success story: Japanese-American style. New York Times Magazine, pp. 20–43.
- Ping Pong Playa, USA, 2007, d: Jessica Yu.
- Pushing Hands, Taiwan, 1991, d: Ang Lee.
- Rumbaut, R. G., & Portes, A. (2001). Ethnicities: Children of immigrants in America. University of California Press.
- Sun, M. (2019). The Farewell’s Lulu Wang: ‘I would love it if white men were asked the same questions as me’. The Guardian. https://www.theguardian.com/film/2019/aug/28/the-farewells-lulu-wang-i-would-love-it-if-white-men-were-asked-the-same-questions-as-me
- Two Lies, USA, 1990, d: Pamela Tom.
- Wang, L. K. (2018). Chinese American “satellite babies”, raised between two cultures. Contexts, 17(4), 24–29. https://doi.org/10.1177/1536504218812865
- The Wedding Banquet, Taiwan, 1993, d: Ang Lee.
- Weinberg, M. (2012). Asian American education: Historical background and current realities. Routledge.
- Wilson, W. J. (2012). The truly disadvantaged: The inner city, the underclass, and public policy. University of Chicago Press. (Original work published 1987)
- Wong, S. C. (1993). Reading Asian American literature: From necessity to extravagance. Princeton University Press.
- Zhou, M. (2009). Contemporary Chinese America: Immigration, ethnicity, and community transformation. Temple University Press.