The Master's Voice: Authenticity, Nostalgia, and the Refusal of Irony in Postsocialist Hungary

References

• Adorno , T. 1998 . “ Prologue to television ” . In Critical models: Interventions and catchwords , Edited by: Pickford , H. W. 49 – 57 . New York : Columbia .
   Google Scholar
• Benjamin , W. 1968 . “ The work of art in the age of mechanical reproduction ” . In Illuminations , Edited by: Arendt , H. 217 – 51 . New York : Harcourt Brace Jovanovich .
   Google Scholar
• Booth , W. 1975 . A rhetoric of irony , Chicago : University of Chicago Press .
   Google Scholar
• Boym , S. 2001 . The future of nostalgia , New York : Perseus Books .
   Google Scholar
• Broch , H. 1969 . “ Notes on the problem of kitsch ” . In Kitsch: The world of bad taste , Edited by: Dorfles , G. 49 – 76 . London : Studio Vista .
   Google Scholar
• Buroway , M. and Lukács , J. 1994 . The radiant past: Ideology and reality in Hungary's road to capitalism , Chicago : University of Chicago Press .
   Google Scholar
• Calinescu , M. 1987 . Five faces of modernity: Modernism, avant-garde, decadence, kitsch, postmodernism , Durham : Duke University Press .
   Google Scholar
• Colebrook , C. 2003 . Irony (The new critical idiom) , London : Routledge .
   Google Scholar
• de Man , P. 1969 . Interpretation: Theory and practice , Baltimore : Johns Hopkins University Press .
   Google Scholar
• de Man , P. 1983 . Blindness and insight: Essays in the rhetoric of contemporary criticism , Minneapolis : University of Minnesota Press .
   Google Scholar
• Fehérváry , K. 2002 . American kitchens, luxury bathrooms, and the search for a ‘normal’ life in postsocialist Hungary . Ethnos , 67 ( 3 ) : 369 – 400 .
   Google Scholar
• Fish , S. 1980 . Is there a text in this class? The authority of interpretive communities , Cambridge : Harvard University Press .
   Google Scholar
• Glenn , J. (1998) . Camp: An introduction . Hermenaut , 11 . Retrieved 27 August 2006 from http://www.hermenaut.com/a28.shtml .
   Google Scholar
• Glenn , J. (1999) . Fake authenticity: An introduction . Hermenaut , 15 . Retrieved 27 August 2006 from http://www.hermenaut.com/a5.shtml .
   Google Scholar
• Greenberg , C. (1961) . Avant-garde and kitsch . In Art and culture: Critical essays (pp. 3 – 21 ). Boston : Beacon Press .
   Google Scholar
• Harper , K. 1999 . Citizens or consumers? Environmentalism and the public sphere in postsocialist Hungary . Radical History Review , 74 : 96 – 111 .
   PubMedGoogle Scholar
• Hutcheon , L. (1998) . Irony, nostalgia, and the postmodern . Retrieved 27 August 2006 from http://www.library.utoronto.ca/utel/criticism/hutchinp.html
   Google Scholar
• Index . (2000a) . Ha nincsen Benedek, nincsen szeretet (Without Benedek, there is no love). Retrieved 20 August 2000 from http://index.hu/sziget/uhrin#uh .
   Google Scholar
• Index . (2000b) . Ha nincs Benedek, nincs szeretet: Uhrin Benedek művész-polihisztor (Without Benedek, there is no love: Uhrin Benedek artist-political historian). Retrieved 27 August 2006 from http://index.hu/kultur/public/uhrin/ .
   Google Scholar
• Isherwood , C. 1999 . The world in the evening , Minneapolis : University of Minnesota Press .
   Google Scholar
• Ivy , M. 1995 . Discourses of the vanishing: Modernity, phantasm, Japan , Chicago : University of Chicago Press .
   Google Scholar
• Kundera , M. 1999 . The unbearable lightness of being , New York : Harper Perennial Modern Classics .
   Google Scholar
• Magyar Hírlap . (2000) . Táncolj, Benedek! (Dance, Benedek!) . Retrieved 27 August 2006 from http://www.magyarhirlap.hu/Archivum_cikk.php?cikk=14296&archiv=1&next=0 .
   Google Scholar
• Nadkarni , M. and Shevchenko , O. 2004 . The politics of nostalgia: A case for comparative analysis of post-socialist practices . Ab Imperio , 2 : 487 – 19 .
   Google Scholar
• Népszabadság . (2000) . Uhrin és a Sziget (Uhrin and [Pepsi] Island) . Retrieved 27 August 2006 from http://www.nol.hu/cikk/11821/ .
   Google Scholar
• Salecl , R. 1999 . “ The state as a work of art: the trauma of Ceausescu's Disneyland ” . In Architecture and revolution; Contemporary perspectives on Central and Eastern Europe , Edited by: Leach , N. 92 – 111 . London : Routledge .
   Google Scholar
• Sloterdijk , P. 1987 . Critique of cynical reason , Minneapolis : University of Minnesota Press .
   Google Scholar
• Smith , Z. 2002 . The autograph man , New York : Random House .
   Google Scholar
• Sontag , S. 2001 . Against interpretation and other essays , New York : Picador .
   Google Scholar
• Stewart , S. 1993 . On longing: Narratives of the miniature, the gigantic, the souvenir, the collection , Durham : Duke University Press .
   Google Scholar
• Szemere , A. 2001 . Up from the underground: The culture of rock music in postsocialist Hungary , University Park : Pennsylvania State University Press .
   Google Scholar
• Yurchak , A. 1997 . The cynical reason of late socialism: Power, pretense, and the anekdot . Public Culture , 9 ( 2 ) : 161 – 88 .
   Web of Science ®Google Scholar
• Yurchak , A. 2005 . Everything was forever, until it was no more: The last Soviet generation , Princeton : Princeton University Press .
   Google Scholar
• Zizek , S. 1989 . The sublime object of ideology , New York : Verso .
   Google Scholar