724
Views
70
CrossRef citations to date
0
Altmetric
Original Articles

Artists as experts in visual cognition

Pages 705-723 | Published online: 01 Oct 2010

References

  • Allard , F. and Starkes , J. L. 1991 . “ Motor skill experts in sports, dance, and other domains ” . In Toward a general theory of expertise: Prospects and limits , Edited by: Ericsson , K. A. and Smith , J. 126 – 152 . New York : Cambridge University Press .
  • Anderson , J. R. 1987 . Skill acquisition: Compilation of weak-method problem solutions . Psychological Review , 94 : 192 – 210 .
  • Arnheim , R. 1954 . Art and visual perception: A psychology of the creative eye , Berkeley, CA : University of California Press .
  • Amheim , R. 1969 . Visual thinking , London : Faber & Faber .
  • Biederman , I. 1987 . Recognition-by-components: A theory of human image understanding . Psychological Review , 94 : 115 – 147 .
  • Biederman , I. 1990 . “ Higher-level vision ” . In An invitation to cognitive science , Edited by: Osherson , E. N. , Kosslyn , S. M. and Hollerbach , J. M. Vol. 2 , 41 – 72 . Cambridge, MA : MIT Press .
  • Casey , M. B. , Winner , E. , Brabeck , M. and Sullivan , K. 1990 . “ Visual-spatial abilities in art, maths and science majors : Effects of sex, family handedness and spatial experience ” . In Lines of thinking: Reflections on the psychology of thought , Edited by: Gilhooly , K. , Keane , M. , Logie , R. and Endos , G. Vol. 2 , 275 – 293 . New York : Wiley .
  • Chase , W. G. and Simon , H. A. 1973 . Perception in chess . Cognitive Psychology , 4 : 55 – 81 .
  • Chi , M. T. H. , Feltovich , P. J. and Glaser , R. 1981 . Categorization and representation of physics problems by experts and novices . Cognitive Science , 5 : 121 – 152 .
  • De Groot , A. 1978 . Thought and choice in chess , 2nd ed. , The Hague, , The Netherlands : Mouton .
  • Deregowski , J. B. 1989 . Real space and represented space: Cross-cultural perspectives . Behavioral and Brain Sciences , 12 : 51 – 119 .
  • Gibson , J. J. 1971 . The information available in pictures . Leonardo , 4 : 27 – 35 .
  • Goldwater , R. and Treves , M. , eds. 1972 . Artists on art from the XIV to the XX century , New York : Pantheon Books .
  • Gombrich , E. H. 1960 . Art and illusion: A study in the psychology of pictural representation , Princeton, NJ : Princeton University Press .
  • Hagen , M. 1980 . “ Generative theory: A perceptual theory of pictorial representation ” . In The perception of pictures , Edited by: Hagen , M. Vol. 2 , 3 – 46 . New York : Academic Press .
  • Hochberg , J. 1980 . “ Pictorial functions and perceptual structures ” . In The perception of pictures , Edited by: Hagen , M. Vol. 2 , 47 – 93 . New York : Academic Press .
  • Hunt , E. B. , Davidson , J. and Lansman , M. 1981 . Individual difference in long term memory access . Memory and Cognition , 9 ( 6 ) : 599 – 608 .
  • Kelen , E. 1990 . Leonardo da Vinci's advice to artists , New York : Running Press .
  • Marr , D. and Nishihara , H. K. 1978 . Representation and recognition of the spatial organizatio n of three-dimensional shapes . Proceedings of the Royal Society , B200 : 269 – 294 .
  • Patel , V. and Groen , G. J. 1991 . “ he general and specific nature of medical expertise; A critical look ” . In Towards a general theory of expertise: Prospects and limits , Edited by: Ericsson , K. A. and Smith , J. 93 – 125 . New York : Cambridge University Press .
  • Pinker , S. 1984 . “ Visual cognition: An introduction ” . In Visual cognition , Edited by: Pinker , S. 1 – 63 . Cambridge, MA : MIT Press .
  • Richet , M. 1988 . The Picasso Museum, Paris: Drawings, watercolors, gouaches, and pastels , New York : Harry N. Abrams .
  • Rosenblatt , E. and Winner , E. 1988 . “ Is superior visual memory a component of superior drawing ability? ” . In The exceptional brain: Neuropsychology of talent and special abilities , Edited by: Obler , L. and Fein , D. 341 – 363 . New York : Guilford .
  • Schooler , J. W. , McCleod , C , Brooks , K. and Melcher , J. 1993 . Individual differences in solving insight and analytical problems Unpublished raw data
  • Schooler , J. W. and Melcher , J. 1994 . “ The ineffability of insight ” . In The creative cognition approach , Edited by: Smith , S. M. , Ward , T. B. and Finke , R. A. 97 – 133 . Cambridge, MA : MIT Press .
  • Sloboda , J. A. 1976 . Visual perception of musical notation: Registering pitch symbols in memory . Quarterly Journal of Experimental Psychology , 28 : 1 – 16 .
  • Sullivan , K. and Winner , E. Recognising visual stimuli: Does it help to be an artist? . Paper presented at the American Psychological Association meeting . New Orleans, LA, USA. August ,
  • Voyer , D. , Voyer , S. and Bryden , M. P. 1995 . Magnitude of sex differences in spatial abilities: A meta-analysis and consideration of critical variables . Psychological Bulletin , 117 ( 2 ) : 250 – 270 .
  • Winner , E. and Casey , M. B. 1992 . “ Cognitive profiles of artists ” . In Emerging visions of the aesthetic process , Edited by: Cupchik , G. and Laszlo , J. 154 – 170 . New York : Cambridge University Press .
  • Witkin , H. A. , Dyk , R. , Faterson , H. F. , Goodenough , D. R. and Karp , S. A. 1971 . A manual for the embedded figures test , Palo Alto, CA : Consulting Psychologists Press .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.