1,054
Views
6
CrossRef citations to date
0
Altmetric
Articles

Museums and the ‘Death of Experience’: singularity, interiority and the outside

Pages 72-85 | Received 18 Dec 2011, Accepted 03 Jul 2012, Published online: 06 Aug 2012

References

  • Adorno, T. 1967. Valery Proust Museum. In Prisms. Cambridge, MA: MIT Press, 173–185.
  • Bann, S. 1984. The clothing of clio: a study of the representation of history in nineteenth-century Britain and France. Cambridge: Cambridge University Press.
  • Bauman, Z. 1987. Legislators and interpreters. Oxford: Polity Press.
  • Benjamin, W., 1973. The work of art in the age of mechanical reproduction. In: H. Arendt, ed. Illuminations. London: Fontana Press, 211–244.
  • Benjamin, W. 1999. The arcades project. Cambridge, MA: Harvard University Press.
  • Bennett, T. 1995. The birth of the museum. London: Routledge.
  • Bennett, T. 2004. Pasts beyond memory: evolution, museums, colonialism. London: Routledge.
  • Berman, M. 1982. All that is solid melts into air. London: Verso.
  • Blanchot, M., 1997a. The museum, art and time. In Friendship. Stanford, CA: Stanford University Press, 12–40.
  • Blanchot, M. 1997b. Museum sickness. Friendship. Stanford, CA: Stanford University Press . 41–49.
  • Buck-Morss, S. 1989. The dialectics of seeing: Walter Benjamin and the arcades project. Cambridge, MA: MIT Press.
  • Cohen, M. 1995. Profane illumination: Walter Benjamin and the Paris of the Surrealist revolution. Berkeley, CA: University of California Press.
  • Crane, S. 2000. Museums and memory. Stanford, CA: Stanford University Press.
  • Derrida, J. 1996. Archive fever: A freudian impression. Chicago, IL: University of Chicago Press.
  • Donato, E. 1979. “The museum's furnace: notes towards a contextual reading of Bouvard and Pécuchet.” In Textual strategies: perspectives in post-structuralist criticism, edited by J. Harari, 213–238. Ithaca, NY: Cornell University Press.
  • Duncan, C. 1995. Civilizing rituals: inside public art museums. London: Routledge.
  • Foucault, M. 1998. “The thought of the outside.” In Michel Foucault: aesthetics, the essential works, edited by J. Faubion, 147–169. London: Allen Lane.
  • Frisby, D. 1985. Fragments of modernity: theories of modernity in the work of Simmel, Kracauer and Benjamin. Oxford: Polity.
  • Gilloch, G. 1995. Myth and metropolis: Walter Benjamin and the City. Cambridge: Polity Press.
  • Gordon, A. 1997. Ghostly matters: haunting and the sociological imagination. Minneapolis, MN: University of Minnesota Press.
  • Gregory, K., and A. Witcombe. 2007. “Beyond nostalgia: the role of affect in generating historical understanding at heritage sites.” In Museum revolutions: how museums change and are changed, edited by S. Knell, 263–275. London: Routledge.
  • Hetherington, K. 1997. “Museum topology and the will to connect.” Journal of Material Culture 2(2): 199–218.
  • Hetherington, K. 2007. Capitalism's eye: cultural spaces of the commodity. New York, NY: Routledge.
  • Hetherington, K. 2011. “Foucault, the museum and the diagram.” The Sociological Review 59(3): 557–575.
  • Hooper-Greenhill, E. 1992. Museums and the construction of knowledge. Leicester: Leicester University Press.
  • Huyssen, A. 1995. Twilight memories: marking time in the culture of amnesia. New York, NY: Routledge.
  • Huyssen, A. 2003. Present pasts: urban palimpsests and the politics of memory. Stanford, CA: Stanford University Press.
  • Museum frictions: public cultures/global transformations Karp I. Duke University Press Durham NC 2007
  • Kern, S. 1983. The culture of time and space, 1880–1918. Cambridge, MA: Harvard University Press.
  • Kirshenblatt-Gimblett, B. 1998. Destination culture: tourism, museums and heritage. Berkeley, CA: University of California Press.
  • Klonk, C. 2009. Spaces of experience: art gallery interiors from 1800 to 2000. New Haven, CT: Yale University Press.
  • Koselleck, R. 2004. Futures past: on the semantics of historical time. New York, NY: Columbia University Press.
  • Lindroos, K. 1998. Now-time/image-space: temporalization of politics in Walter Benjamin's Philosophy of history and art. Jyaskyla: University of Jyaskyla Press.
  • Logan, T. 2001. The Victorian parlour: a cultural study. Cambridge: Cambridge University Press.
  • Maleuvre, D. 1999. Museum memories: history, technology, art. Stanford, CA: Stanford University Press.
  • Malraux, A. 1978. Voices of silence. At Albans: Paladin.
  • Miller, E. 1974. That noble cabient: a history of the British museum. Athens, OH: Ohio University Press.
  • Richards, T. 1991. The commodity culture of Victorian England: advertising and spectacle, 1851–1914. London: Verso.
  • Sherman, D. 1994. “Quatremere/Benjamin/Marx: art museums, aura and commodity fetishism.” In Museum culture: histories, discourses, spectacles, edited by D. Sherman and I. Rogoff, 123–143. London: Routledge.
  • Simmel, G. 1990. The philosophy of money. London: Routledge.
  • Smith, L. 2006. Uses of heritage. London: Routledge.
  • Whitehead, C. 2009. Museums and the construction of disciplines: art and archaeology in nineteenth century Britain. London: Duckworth.
  • Ziarek, K. 2001. The historicity of experience: modernity, the avant-garde and the event. Evanson, IL: Northwestern University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.