Remembering the popular music of the 1990s: dance music and the cultural meanings of decade-based nostalgia

References

• Atkinson, D. 2008. “The heritage of mundane places.” In The Ashgate research companion to heritage and identity, edited by B. Graham and P. Howard, 381–395. Aldershot: Ashgate.
   Google Scholar
• Baer, A. 2001. “Consuming history and memory through mass media products.” European Journal of Cultural Studies 4(4): 491–501.
   Google Scholar
• Bagnall, G. 2003. “Performance and performativity at heritage sites.” Museum and Society 1(2): 87–103.
   Google Scholar
• Bennett, A. 1999. “Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste.” Sociology 33(3): 599–617.
   Google Scholar
• Bennett, A., 2001. Cultures of popular music. Buckingham: Open University Press.
   Google Scholar
• Bennett, A. 2006. “Punk’s not dead: the continuing significance of punk rock for an older generation of fans.” Sociology 40(2): 219.
   Google Scholar
• Bennett, A. 2008. “‘Things they do look awful cool’: ageing rock icons and contemporary youth audiences.” Leisure/Loisir 32(2): 259–278.
   Google Scholar
• Bennett, A. 2009. “‘Heritage rock’: rock music, representation and heritage discourse.” Poetics 37: 474–489.
   Web of Science ®Google Scholar
• Bevers, T. 2005. “Cultural education and the canon: a comparative analysis of the content of secondary school exams for music and art in England, France, Germany, and the Netherlands, 1990–2004.” Poetics 33: 388–416.
   Web of Science ®Google Scholar
• Boym, S. 2001. The future of nostalgia. New York, NY: Basic Books.
   Google Scholar
• Burgoyne, R. 2003. “From contested to consensual memory: the rock and roll hall of fame museum.” In Contested pasts: the politics of memory, edited by K. Hodgkin and S. Radstone, 208–220. London: Routledge.
   Google Scholar
• Corbin, J. M., and A. Strauss. 1990. “Grounded theory research: procedures, canons, and evaluative criteria.” Qualitative Sociology 13(1): 3–21.
   Web of Science ®Google Scholar
• Davis, F. 1979. Yearning for yesterday: a sociology of nostalgia. New york, NY: Free Press.
   Google Scholar
• DeNora, T. 1999. “Music as a technology of the self.” Poetics 27(1): 31–56.
   Web of Science ®Google Scholar
• Graham, B., and P. Howard. 2008. “Heritage and identity.” In The Ashgate research companion to heritage and identity, edited by B. Graham and P. Howard, 1–15. Aldershot: Ashgate.
   Google Scholar
• Grainge, P. 2000. “Nostalgia and style in retro America: moods, modes, and media recycling.” Journal of American & Comparative Cultures 23(1): 27–34.
   Google Scholar
• Harvey, D. C. 2008. “The history of heritage.” In The Ashgate research companion to heritage and identity, edited by B. Graham and P. Howard, 19–36. Aldershot: Ashgate.
   Google Scholar
• Hayes, D. 2006. “‘Take those old records off the shelf’: youth and music consumption in the postmodern age.” Popular Music and Society 29(1): 51–68.
   Web of Science ®Google Scholar
• Hesmondhalgh, D. 2005. “Subcultures, scenes or tribes? None of the above.” Journal of Youth Studies 8(1): 21–40.
   Google Scholar
• Hitters, E., and M. van de Kamp. 2010. “Tune in, fade out: music companies and the classification of domestic music products in the Netherlands.” Poetics 38(5): 461–480.
   Web of Science ®Google Scholar
• Holbrook, M. B., and R. M. Schindler. 1989. “Some exploratory findings on the development of musical tastes.” The Journal of Consumer Research 16(1): 119–124.
   Web of Science ®Google Scholar
• Hoskins, A. 2001. “New memory: mediating history.” Historical Journal of Film Radio and Television 21(4): 333–346.
   Web of Science ®Google Scholar
• Jameson, F. 1985. “Postmodernism and consumer society.” In Postmodern culture, edited by H. Foster, 111–125. London: Pluto Press.
   Google Scholar
• Jameson, F., 1991. Postmodernism, or, the cultural logic of late capitalism. Durham, NC: Duke University Press Books.
   Google Scholar
• Janata, P., S. T. Tomic, and S. K. Rakowski. 2007. “Characterisation of music-evoked autobiographical memories.” Memory 15(8): 845–860.
   PubMed Web of Science ®Google Scholar
• Kong, L. 1999. “The invention of heritage: popular music in Singapore.” Asian Studies Review 23(1): 1–25.
   Google Scholar
• Kotarba, J. A. 2002. “Rock ‘n’ roll music as a timepiece.” Symbolic Interaction 25(3): 397–404.
   Web of Science ®Google Scholar
• Lowenthal, D. 1989. “Nostalgia tells it like it wasn’t.” In The imagined past: history and nostalgia, edited by C. Shaw and M. Chase, 18–32. Manchester: Manchester University Press.
   Google Scholar
• McLeod, K. 2001. “Genres, subgenres, sub-subgenres and more: musical and social differentiation within electronic/dance music communities.” Journal of Popular Music Studies 13(1): 59–75.
   Google Scholar
• Muggleton, D. 2000. Inside subculture: the postmodern meaning of style. Oxford: Berg.
   Google Scholar
• Mulder, J., et al. 2010. “From death metal to R&B? Consistency of music preferences among Dutch adolescents and young adults.” Psychology of Music 38(1): 67–83.
   Web of Science ®Google Scholar
• Pickering, M., and E. Keightley. 2006. “The modalities of nostalgia.” Current Sociology 54(6): 919–940.
   Google Scholar
• Reynolds, S. 1999. Generation ecstasy: into the world of techno and rave culture. New York, NY: Routledge.
   Google Scholar
• Reynolds, S. 2011. Retromania: pop culture’s addiction to its own past. London: Faber and Faber.
   Google Scholar
• Rietveld, H. C. 2011. “Disco’s revenge: house music’s nomadic memory.” Dancecult: Journal of Electronic Dance Music Culture 2(1): 4–23.
   Google Scholar
• Schmutz, V. 2005. “Retrospective cultural consecration in popular music.” American Behavioral Scientist 48(11): 1510.
   Web of Science ®Google Scholar
• Sedikides, C., et al. 2008. “Nostalgia as enabler of self-continuity.” In Self-continuity: individual and collective perspectives, edited by F. Sani, 227–239. New York, NY: Psychology Press.
   Google Scholar
• Smith, L. 2006. Uses of heritage. London: Routledge.
   Google Scholar
• Thornton, S. 1995. Club cultures: music, media and subcultural capital. Cambridge: Polity Press.
   Google Scholar
• van Dijck, J. 2004. “Mediated memories: personal cultural memory as object of cultural analysis.” Continuum 18(2): 261–277.
   Google Scholar
• van Dijck, J. 2006. “Record and hold: popular music between personal and collective memory.” Critical Studies in Media Communication 23(5): 357–374.
   Web of Science ®Google Scholar
• Verhagen, S., et al. 2000. “Fast on 200 beats per minute.” Youth & Society 32(2): 147–164.
   Web of Science ®Google Scholar
• Wertsch, J. V. 2002. Voices of collective remembering. Cambridge: Cambridge University Press.
   Google Scholar
• Wu, E.M., 2010. Memory and nostalgia in youth music cultures: finding the vibe in the San Francisco bay area rave scene, 2002–2004. Dancecult: Journal of Electronic Dance Music Culture [Online], 1 (2). Available from: http://dj.dancecult.net/index.php/journal/article/viewArticle/41 [Accessed 23 May 2012].
   Google Scholar