Betwixt and between creativity and heritage: remaking a traditional festival and creating festivals to remake traditions in a historic neighbourhood in Taiwan

References

• Akagawa, N. 2018. “Batik as a Creative Industry: Political, Social and Economic Use of Intangible Heritage.” In Safeguarding Intangible Heritage, edited by N. Akagawa and L. Smith, 135–154. London: Routledge.
   Google Scholar
• Alsford, N. J. P. 2021. “The City within the City: A Glimpse of Elite Formation in Deptford, London and Dadaocheng, Taipei.” Journal of Urban History 47 (1): 111–135. https://doi.org/10.1177/0096144219868815.
   Web of Science ®Google Scholar
• Chan, S. C. 2018. “Heritagizing the Chaozhou Hungry Ghosts Festival in Hong Kong.” In Chinese Heritage in the Making: Experiences, Negotiations and Contestations, edited by C. Maags and M. Svensson, 145–168. Amsterdam: Amsterdam University Press.
   Google Scholar
• Chen, C.-C. 2011. “Spectacle and Vulgarity: Stripper Dance at Temple Festivals in Contemporary Taiwan.” TDR/The Drama Review 55 (1 (209): 104–119. https://doi.org/10.1162/DRAM_a_00051.
   Google Scholar
• Chen, K.-X. 2021. “短袖善舞從電子花車到藝陣車隊” [Short-Sleeved Skilled Dancers: From Electric Flower Cars to Arts Troupe Processions]. Master’s Thesis, National Cheng Chi University.
   Google Scholar
• Chen, W.-W. 2018. “大稻埕城隍廟前街──從傳統產業空間到異質空間” [From Traditional Space to Heterotopia: A Lane of Taipei Dadaocheng]. Master’s Thesis, National Taipei University of Education.
   Google Scholar
• Chiu, S.-Y. 2014. “臺北市迪化街URS之藝術和創意轉型: 誰的文化？誰的城市?” [The Arts and Creative Transformation of Dihua Street Urban Regeneration Stations in Taipei City: Whose Culture? Whose City?]. Research in Arts Education 28:65–95. https://www.airitilibrary.com/Article/Detail?DocID=1680435x-201412-201502140028-201502140028-65-98.
   Google Scholar
• Choi, S.-H., S. S. Imon, and U. Couto. 2020. “Negotiating with Authenticity to Ensure Sustainability of Traditional Cultural Festivals: Residents’ Perspectives About Macao’s Drunken Dragon Festival.” Sustainability 12 (3): 885. https://doi.org/10.3390/su12030885.
   Web of Science ®Google Scholar
• Chu, C.-J. 2012. “重新審視博物館與文創產業──臺灣的困境與機會” [Re-Examining Museums and Cultural and Creative Industries in Taiwan: Challenges and Opportunities]. Museology Quarterly 26 (3): 101–109.
   Google Scholar
• Clifford, J. 2013. Returns: Becoming Indigenous in the Twenty-First Century. Cambridge, Mass.: Harvard University Press.
   Google Scholar
• Cominelli, F., and X. Greffe. 2012. “Intangible Cultural Heritage: Safeguarding for Creativity.” City, Culture & Society 3 (4): 245–250. https://doi.org/10.1016/j.ccs.2012.10.003.
   Google Scholar
• Fahmi, F. Z., P. McCann, and S. Koster. 2017. “Creative Economy Policy in Developing Countries: The Case of Indonesia.” Urban Studies 54 (6): 1367–1384. https://doi.org/10.1177/0042098015620529.
   Web of Science ®Google Scholar
• General Association of Chinese Culture. 2022. “Taiwan Fusion Documentary: Taiwan Expo USA 2022”. Facebook. 14 November 2022. https://www.facebook.com/GACCTW/videos/662340922221554/.
   Google Scholar
• Getz, D. 2010. “The Nature and Scope of Festival Studies.” International Journal of Event Management 1 (1): 29–59. https://doi.org/10.1108/17852951011029298.
   Google Scholar
• Gong, J.-J. 2022. 交陪美學論: 當代藝術面向近未來神祇 [Kau-Puê Aesthetics: Near Future Deity in Contemporary Arts]. Taipei: Locus Publishing.
   Google Scholar
• Hobsbawm, E., and T. Ranger, eds. 1983. The Invention of Tradition. Cambridge, New York: Cambridge University Press.
   Google Scholar
• Hsiao, C.-R. 2015. “Folk-Ology: Visions for Taiwan’s Modern Art and Cities.” Kau Pue: Art Associate 1 (August): 10–21. Translated by Hui-jun Huang.
   Google Scholar
• Hsu, P. 2010. “Living Taiwanese Opera: Improvisation, Performance of Gender, and Selection of Tradition.” PhD Dissertation, UC Berkeley. https://escholarship.org/uc/item/1471d868.
   Google Scholar
• Istvandity, L. 2021. “Creative Heritage: An Approach for Research and Practice Integrating Heritage and the Performing Arts.” International Journal of Heritage Studies 27 (11): 1149–1162. https://doi.org/10.1080/13527258.2021.1958364.
   Web of Science ®Google Scholar
• Kim, S., M. Whitford, and C. Arcodia. 2019. “Development of Intangible Cultural Heritage as a Sustainable Tourism Resource: The Intangible Cultural Heritage Practitioners’ Perspectives.” Journal of Heritage Tourism 14 (5–6): 422–435. https://doi.org/10.1080/1743873X.2018.1561703.
   Web of Science ®Google Scholar
• Klien, S. 2010. “Collaboration or Confrontation? Local and Non-Local Actors in the Echigo-Tsumari Art Triennial.” Contemporary Japan 22 (1–2): 153–178. https://doi.org/10.1515/cj-2010-010.
   Google Scholar
• Kong, L. 2009. “Making Sustainable Creative/Cultural Space in Shanghai and Singapore.” Geographical Review 99 (1): 1–22. https://doi.org/10.1111/j.1931-0846.2009.tb00415.x.
   Web of Science ®Google Scholar
• Laing, J., and J. Mair. 2015. “Music Festivals and Social Inclusion: The Festival Organizers’ Perspective.” Leisure Sciences 37 (3): 252–268. https://doi.org/10.1080/01490400.2014.991009.
   Web of Science ®Google Scholar
• Lee, S., and K. Aise. 2014. “Re-Creation of Traditional Ritual into Festival: The Case of the Kangnung Danoje Festival in South Korea.” In Rituals and Traditional Events in the Modern World, edited by J. Laing and W. Frost, 67–77. London: Routledge.
   Google Scholar
• Lin, C.-W. 2017. 信仰的開花:日本祭典導覽 [Blossoms of Faith: Festivals in Japan]. New Taipei, Taiwan: Walkers.
   Google Scholar
• Lin, C.-Y., and W.-C. Hsing. 2009. “Culture-Led Urban Regeneration and Community Mobilisation: The Case of the Taipei Bao-An Temple Area, Taiwan.” Urban Studies 46 (7): 1317–1342. https://doi.org/10.1177/0042098009104568.
   Web of Science ®Google Scholar
• Liu, T.-C. 2021. “Cultural Imagination and Urban Regeneration: The Role of Heritage in the Case of Dadaocheng, Taipei, Taiwan.” PhD Dissertation, University College London. https://discovery.ucl.ac.uk/id/eprint/10140697/.
   Google Scholar
• MacLeod, N. 2006. “The Placeless Festival: Identity and Place in the Post-Modern Festival”. In Festivals, Tourism and Social Change, edited by D. Picard and M. Robinson, 222–237. https://doi.org/10.21832/9781845410490-015.
   Google Scholar
• Mair, J., and K. Weber. 2019. “Event and Festival Research: A Review and Research Directions.” International Journal of Event & Festival Management 10 (3): 209–216. https://doi.org/10.1108/IJEFM-10-2019-080.
   Web of Science ®Google Scholar
• Meng, Q., and J. M. Cheer. 2021. “Community Art Festivals and Sustainable Rural Revitalisation.” Journal of Sustainable Tourism 29 (11–12): 1756–1775. https://doi.org/10.1080/09669582.2020.1856858.
   Web of Science ®Google Scholar
• Meng, Q., and C. Funck. 2021. “Rural Art Festival Revitalizing a Japanese Declining Tourism Island.” In Cultural Sustainability, Tourism and Development, edited by Duxbury, N., 51–68. London: Routledge.
   Google Scholar
• Nishimura, Y. 2007. 再造故鄉魅力 : 日本傳統街區重生故事 [The Stories of Community-Based Townscape Conservation]. Translated by Wang Huijun. Beijing: Tsinghua University Press.
   Google Scholar
• Perry, B., L. Ager, and R. Sitas. 2020. “Cultural Heritage Entanglements: Festivals as Integrative Sites for Sustainable Urban Development.” International Journal of Heritage Studies 26 (6): 603–618. https://doi.org/10.1080/13527258.2019.1578987.
   Web of Science ®Google Scholar
• Pratt, A. C. 2011. “The Cultural Contradictions of the Creative City.” City, Culture & Society 2 (3): 123–130. https://doi.org/10.1016/j.ccs.2011.08.002.
   Google Scholar
• Quinn, B. 2005. “Arts Festivals and the City.” Urban Studies 42 (5–6): 927–943. https://doi.org/10.1080/00420980500107250.
   Web of Science ®Google Scholar
• Sham, D. H.-M. 2023. “士紳化以外: 臺北大稻埕的文化經濟與舊城襲產再／創造” [Beyond Gentrification: Cultural Economy and Heritage (Re-)Making in the Historic District of Twatutia in Taipei]. Router: A Journal of Cultural Studies 37:57–102. https://doi.org/10.6752/JCS.202310_(37).0003.
   Google Scholar
• Shin, H., and Q. Stevens. 2014. “Debates Around Cultural Re-Imaging and Culture-Led Urban Regeneration: The Politics of Two Festivals in Gwangju and Glasgow.” Asian Journal of Social Science 41 (6): 628–652. https://doi.org/10.1163/15685314-12341325.
   Web of Science ®Google Scholar
• Sho, K., Y.-L. Chen, and K. T. Oshima. 2023. “Alternative Gentrification: Coexistence of Traditional and New Industries in Historic Districts Through Transfer of Development Rights in Dihua Street, Taiwan.” International Journal of Heritage Studies 29 (12): 1–16. https://doi.org/10.1080/13527258.2023.2250776.
   Google Scholar
• Soini, K., and I. Birkeland. 2014. “Exploring the Scientific Discourse on Cultural Sustainability.” Geoforum 51 (January): 213–223. https://doi.org/10.1016/j.geoforum.2013.12.001.
   Google Scholar
• Sung, K.-Y. 1993. “霞海城隍祭典與臺北大稻埕商業發展的關係” [The Relationship Between Xiahai City God Festival and Commercial Development of Twatutia, Taipei]. Bulletin of the Institute of History and Philology Academia Sinica 62 (2): 291–336.
   Google Scholar
• Suntikul, W. 2018. “Cultural Sustainability and Fluidity in Bhutan’s Traditional Festivals.” Journal of Sustainable Tourism 26 (12): 2102–2116. https://doi.org/10.1080/09669582.2018.1533021.
   Web of Science ®Google Scholar
• Takamori, N. 2015. “The Temple: A Field Reflecting Colonial Modernity”. Kau Pue: Art Associate (4):2–9. Translated by Hui-jun Huang.
   Google Scholar
• Van Aalst, I., and R. van Melik. 2012. “City Festivals and Urban Development: Does Place Matter?” European Urban and Regional Studies 19 (2): 195–206. https://doi.org/10.1177/0969776411428746.
   Web of Science ®Google Scholar
• Varutti, M. 2015. “Crafting Heritage: Artisans and the Making of Indigenous Heritage in Contemporary Taiwan.” International Journal of Heritage Studies 21 (10): 1036–1049. https://doi.org/10.1080/13527258.2015.1050055.
   Web of Science ®Google Scholar
• Wang, M. 2017. 愛在陣頭 :那些藝師，這些事 [Love in Processional Troupes: The Craftsmen and Their Stories]. Taipei: Business Weekly Press.
   Google Scholar
• Yin, P.-N. 2019. “從藝術介入、創意市集到社區記憶再現－大稻埕都市再生的後博物館想像” [Art Intervention, Creative Market and Representations of Community Memories: Post-Museum Imagination of the Regeneration of Dadaocheng, Taipei]. Museology Quarterly 33 (2): 29–47.
   Google Scholar