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Performance Research
A Journal of the Performing Arts
Volume 2, 1997 - Issue 1: Letters From Europe
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Original Articles

The Scream

Pages 82-91 | Published online: 29 Sep 2014

REFERENCES

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  • Chion, Michel (1982) La Voix au cinéma, Paris: Cahiers du Cinéma.
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  • Derrida, Jacques (1978) Writing and Difference, Chicago and London: Chicago University Press.
  • Diamond, Elin (1996) ‘The shudder of catharsis in 20th-century performance’, Maska 1–3.
  • Dolar, Mladen (1995) ‘Glas, drugic’, Problemi 6.
  • Durand, Regis (1977) ‘The disposition of the voice’, in M. Benamou and C. Caramello (eds) Performance in Postmodern Culture, Madison: Coda Press.
  • Erickson, Jon (1990) ‘The body as the object of modern performance’, Journal of Dramatic Theory and Criticism 5(1).
  • Fabre, Jan (1992) Who Shall Speak My Thought, Brussels: Kaaitheater.
  • Freud, Sigmund (1982) Introductory Lectures on Psychoanalysis, trans. James Strachey, Harmondsworth, Mx: Penguin.
  • Jameson, Frederic (1984) ‘Postmodernism, or the cultural logic of late capitalism’, New Left Review 146.
  • Poizat, Michel (1992) The Angel's Cry: Beyond the Pleasure Principle in Opera, Ithaca, NY: Cornell University Press.
  • Püschel, Paul (1994) Crier ne sert à rien, Paris: 4e Biennale internationale du film sur l'art, Centre national d'Art et de Culture Georges Pompidou, Paris.
  • Scarry, Elaine (1985) The Body in Pain. The Making and Unmaking of the World, New York and Oxford: Oxford University Press.
  • Steiner, G. (1961) The Death of Tragedy, London: Faber.
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  • Zizek, Slavoj (1991) ‘Grimaces of the real’, October 58.

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