REFERENCES
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- Cubitt, Sean (1991) Timeshift: On Video Culture, London and New York: Routledge.
- Fry, Tony (1993) ‘Introduction’, in RUATV?: Heidegger and the Televisual, ed. Tony Fry, Sydney: Power Publications.
- Fuchs, Elinor (1996) The Death of Character: Perspectives on Theater after Modernism, Bloomington, IN: Indiana University Press.
- Heath, Stephen and Skirrow, Gillian (1977) ‘Television, a world in action’, Screen 18(2): 7–59.
- Meyer, Ursula (1972) Conceptual Art, New York: E. P. Dutton.
- Molderings, Herbert (1984) ‘Life is No Performance: Performance by Jochen Gerz’, in The Art of Performance: A Critical Anthology, ed. Gregory Battcock and Robert Nickas, New York: E. P. Dutton, pp. 166–80.
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- Phelan, Peggy (1993a) Unmarked: The Politics of Performance, London and New York: Routledge.
- Phelan, Peggy (1993b) ‘Preface: arresting performances of sexual and racial difference: toward a theory of performative film’, Women & Performance: A Journal of Feminist Theory 6(2): 5–10.
- Whitman, Willson (1937) Bread and Circuses: A Study of Federal Theatre, New York: Oxford University Press.