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Performance Research
A Journal of the Performing Arts
Volume 5, 2000 - Issue 3: On Memory
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Original Articles

Performing Memory in Holocaust Museums

Pages 18-27 | Published online: 05 Aug 2014

REFERENCES

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  • Crysler, Greig and Kusno, Abidin (1997) ‘Angels in the temple: The aesthetic construction of citizenship in the United States Holocaust Memorial Museum’, Art Journal 56(1) (spring): 52–64.
  • De Certeau, Michel (1988) The Practice of Everyday Life, Berkeley and Los Angeles: University of California Press.
  • Doyle, Laura (1994) Bordering on the Body: The Racial Matrix of Modern Fiction and Culture, Oxford: Oxford University Press.
  • Gilman, Sander (1990) Jewish Self-hatred: Anti-Semitism and the Hidden Language of the Jews, Baltimore, MD and London, Johns Hopkins University Press.
  • Gilroy, Paul (1995) The Black Atlantic: Modernity and Double Consciousness, London: Verso.
  • Huyssen, Andreas (1995) Twilight Memories: Marking Time in a Culture of Amnesia, London: Routledge.
  • Kushner, Tony (1996) ‘The memory of Belsen’, New Formations 30 (winter): 18–32.
  • Patraka, Vivian (1996) ‘Spectacles of suffering: Performing presence, absence, and historical memory at US Holocaust museums’, in E. Diamond (ed.) Performance and Cultural Politics, London and New York: Routledge, 89–107.
  • Phelan, Peggy (1993) Unmarked: The Politics of Performance, London and New York: Routledge.
  • Rabinach, Anson (1997) ‘From explosion to erosion: Holocaust memorialization in'America since Bitburg’, History and Memory 9(1/2) fall: 226–55.
  • Young, James E. (1993) The Texture of Meaning: Holocaust Memorials and Meaning, New Haven, CT and London: Yale University Press.

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