REFERENCES
- Bakhtin, Mikhail M. (1981) The Dialogic Imagination, ed. Michael Hoquist, trans. Caryl Emerson and Michael Holquist, Austin: University of Texas Press.
- Benjamin, Walter (1969a) ‘On some motifs in Baudelaire’, in Hannah Arendt (ed.) Illuminations: Essays and Reflections, New York: Schocken, pp. 155–200.
- Benjamin, Walter (1969b) ‘The work of art in the age of mechanical reproduction’, in Hannah Arendt (ed.) Illuminations: Essays and Reflections, New York: Schocken, pp. 217–52.
- Benjamin, Walter (1978) ‘On the mimetic faculty’, in Reflections: Essays, Aphorisms, Autobiographical Writings, trans. Edmund Jephcott, New York: Schocken, pp. 333–6.
- Benjamin, Walter (1979) ‘A small history of photography’, in One-Way Street and Other Writings, trans. Edmund Jephcott and Kingsley Shorter, London: New Left Books, pp. 240–58.
- Bourdieu, Pierre (1977) Outline of a Theory of Practice, Cambridge: Cambridge University Press.
- Bourdieu, Pierre (1984) Distinction: A Social Critique of the Judgement of Taste, London and New York: Routledge.
- Bourdieu, Pierre (1990) The Logic of Practice. Cambridge: Polity Press.
- Bourdieu, Pierre (1993) The Field of Cultural Production: Essays on Art and Literature, New York: Columbia University Press.
- Buck-Morss, Susan (1993) ‘Aesthetics and anaesthetics: Walter Benjamin's artwork essay reconsidered’, New Formations 20 (summer): 123–43.
- Callois, Roger 1961 (1959) Man, Play and Games, trans. Meyer Barash, New York: Free Press.
- Callois, Roger (1984) 'Mimicry and legendary psychastenia’, October 31 (winter): 17–32.
- Schechner, Richard (1993) The Future of Ritual: Writings on Culture and Performance, London and New York: Routledge.
- Taussig, Michael (1993) Mimesis and Alterity: A Particular History of the Senses, New York and London: Routledge.