REFERENCES
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- Eckersall, Peter (2000) ‘The body and the problematics of representation in the theatre of Gekidan Kaitaisha’, in Stancia Scholz-Cionca and Samuel Leiter (eds) Japanese Theatre and the International Stage, Leiden: Brill, pp. 313–28.
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- Uchino Tadashi (1999), ‘Deconstructing “Japaneseness”: towards articulating locality and hybridity in contemporary Japanese performance’, in Rachel Fensham and Peter Eckersall (eds) Disorientations. Cultural Praxis in Theatre: Asia, Pacific, Australia, Melbourne: Monash Theatre Papers, pp. 35–53.