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Performance Research
A Journal of the Performing Arts
Volume 6, 2001 - Issue 1: Departures
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Book Reviews

Book Reviews

Pages 124-131 | Published online: 05 Aug 2014

REFERENCES

  • Carlson, Marvin (1996) Performance: A Critical Introduction, London: Routledge, 197.
  • Carlson, Susan (1991) Women and Comedy, Ann Arbor: The University of Michigan Press, 228.
  • MacRitchie, Lyn (1996) ‘Rose English: a perilous profession’, Performance Research 1(3): 58–70.

REFERENCES

  • Artaud, Antonin (1974) ‘The Theatre of Cruelty: First manifesto’ in The Collected Works, volume 4, translated by Victor Corti, London: Calder and Boyars, 68–76.
  • Douglas, Mary (1966) Purity and Danger: An analysis of Concepts of Pollution and Taboo, London: Routledge and Kegan Paul.
  • Douglas, Mary (1978) ‘Linguistic and socio-linguistic theories of bodily expression’, in Ted Polhemus (ed.) The Body Reader: Social Aspects of the Human Body, New York: Pantheon Books, pp. 295–301.
  • Eliade, Mircea (1963) Aspects du Mythe, Paris: Idees.
  • Foster, Hal (1993) Compulsive Beauty, Cambridge, MA: MIT Press.
  • Jones, Amelia (1994) ‘Dis/playing the phallus: male artists perform their masculinities', Art History, 17(4) December: 546–84.
  • Linderman, Deborah (1981) ‘Oedipus in Chinatown’, Enclitic 5–6 (Fall 1981-Spring 1982): 200.
  • Metzger, Gustav (1996) Damaged Nature, Auto-Destructive Art, Nottingham: Coracle.
  • Muehl, Otto (1963) Festival of Psycho-Physical Naturalism’, in Malcolm Green (ed.) (1999) Writings of the Vienna Actionists, London: Atlas Press: 82.
  • Nemser, Cindy (1971) ‘Subject-object: body art’, Arts Magazine, September: 38–42.
  • Pluchart, François (1978) ‘Risk as the practice of thought’, Flash Art 80–82: 39–40.
  • Richard, Nelly (1986) ‘The rhetoric of the body’, Margins and Institutions: Art in Chile since 1973/Art and Text, 21, 64–73.
  • Scarry, Elaine (1985) The Body in Pain: The Making and Unmaking of the World, Oxford and New York: Oxford University Press.
  • Seltzer, Mark (1993) ‘Serial Killers (1)’, Differences 5(1): 92–128.
  • Stiles, Kristine (1992) ‘Survival ethos and destruction art’, Discourse 14(2) Spring: 74–102.
  • Weibel, Peter (1978) ‘Artist's statement’, Flash Art, 80–81 (Milan, Feb—Apr): 48.

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