REFERENCES
- Burt, Ramsay (1995) The Male Dancer, London and New York: Routledge.
- Case, Sue-Ellen (1990) Performing Feminisms, Baltimore, MD: Johns Hopkins University Press.
- Case, Sue-Ellen and Reinelt, Janelle (eds) (1991) The Performance of Power: Theatrical Discourse and Politics. Iowa City: University of Iowa Press.
- Cixous, Hélène (1986/1975) ‘The Theatre is the Place of Crime, the Place of Forgiveness’, The Newly Born Woman with Catherine Clément, trans. Betsy Wing. Minneapolis: University of Minnesota Press, 1986.
- Diamond, Elin (1997) Unmaking Mimesis, London and New York: Routledge.
- Dolan, Jill (1993) Presence and Desire: Essays on Gender, Sexuality, Performance, Ann Arbor: University of Michigan Press.
- Fensham, Rachel (2001) ‘Farce or Failure: Feminist Tendencies in Mainstream Australian Theatre’, Theatre Research International (Spring).
- Freedman, Barbara (1991) Staging the Gaze: Postmodernism. Psychoanalysis and Shakespearean Comedy, Ithaca and London: Cornell University Press.
- Hart, Lynda (ed.) (1989) Making a Spectacle: Feminist Essays on Contemporary Women's Theatre, Ann Arbor: University of Michigan Press.
- Martin, Carol (ed.) (1996) A Sourcebook of Feminist Theatre and Performance, London and New York: Routledge.
- Rutter, Carol (ed.) (1988) Clamorous Voices: Shakespeare's Women Today, London: The Women's Press.
- Senelick, Laurence (ed.) (1992) Gender In Performance: The Presentation of Difference in the Performing Arts, Hanover, NH: University Press of New England.
- Wandor, Michelene (1981) Understudies: Theatre and Sexual Politics, London: Methuen.