REFERENCES
- Bartók, Peter (1998) tape interview, 5 February.
- Benjamin, Walter (1936/1968) ‘The Work of Art in the Age of Mechanical Reproduction’, in Illuminations, ed. Hannah Arendt, trans. Harry Zohn, New York: Schocken Books.
- Bernstein, Charles (1998) Close Listening: Poetry and the Performed Word, New York: Oxford University Press.
- Bourdieu, Pierre (1982) (1991) ‘The Economy of Linguistic Exchanges’, in Language and Symbolic Power, ed. John B. Thompson, trans. Gino Raymond and Matthew Adamson, Cambridge, MA: Harvard University Press.
- Eargle, John (1980) Sound Recording, 2nd edn, New York: Van Nostrand Reinhold.
- Hall, Donald (1985) ‘The Poetry Reading: Public Performance/Private Art’, American Scholar 54: 63–77.
- Owen, Harold H. et al. (1956) ‘Report of the Committee on the Teaching of Poetry’, Second Yale Conference on the Teaching of English, Yale University, March 23–4.
- Rasula, Jed (1996) The American Poetry Wax Museum: Reality Effects, 1940–1990, Urbana, IL: The National Council of Teachers of English.
- Williams, Alan (1980) ‘Is Sound Recording Like a Language?’, Yale French Studies 60: 51–66.