REFERENCES
- Artaud, Antonin (1958) The Theatre and Its Double, 1st edn, trans. Mary Caroline Richards, New York: Grove Weidenfeld.
- Bogart, Anne (1999a) Public Conversation with Mary Overlie, Department of Drama, New York University, NY, 25 October.
- Bogart, Anne (1999b) Special Session Address at the Association for Theatre in Higher Education Conference, Toronto, Ontario, Canada, 29 July.
- Butler, Judith (1997) The Psychic Life of Power: Theories in Subjection, Stanford, CA: Stanford University Press.
- Foucault, Michel (1977) Discipline and Punish: The Birth of the Prison, 2nd edn, trans. Alan Sheridan, New York: Vintage Books, Random House Press.
- Huizinga, Johan (1970 [1938]) Homo Ludens, New York: Harper.
- Landau, Tina (1995) ‘Source-Work, the Viewpoints and Composition: What Are They?,’ in Michael Bigelow Dixon and Joel A. Smith (eds), Viewpoints, Lyme, NH: Smith and Kraus, pp. 13–30.
- Lauren, Ellen (2000) Personal Communication, Skidmore College, Saratoga Springs, NY, 29 May.
- Merleau-Ponty, Maurice (1962) Phenomenology of Perception, London: Routledge & Kegan Paul.
- Suzuki, Tadashi (1995) ‘Culture Is the Body’, trans. Kazuo Matsuoka, in Phillip B. Zarrilli (ed.) Acting (Re) Considered, London and New York: Routledge, pp. 71–84.
- Whitworth, Julia (2002) ‘“Culture is the Body”: Suzuki Training and “American” Aesthetics of Anne Bogart's SITI Company’, in The Journal of American Drama and Theatre 14 (Spring): 12–24.
- Zarrilli, Phillip B. (1995) ‘Introduction to Part II’, in Phillip B. Zarrilli (ed.) Acting (Re) Considered, London and New York: Routledge, pp. 71–84.