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Performance Research
A Journal of the Performing Arts
Volume 8, 2003 - Issue 2: Bodiescapes
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Original Articles

Historical Dust and the Ground of Violence

Colonial Memory in a Dance by Vera Mantero

Pages 46-54 | Published online: 06 Aug 2014

REFERENCES

  • Benjamin, Walter (1969) ‘Theses on the Philosophy of History’, in Hannah Arendt (ed.) Illuminations, New York: Schocken, pp. 253–64.
  • Brandstetter, Gabriele and Völckers, Hortensia (eds) (2000) ReMembering the Body, Ostfildern-Ruit: Hatje Cantz.
  • Carter, Paul (1996) The Lie of the Land, London/Boston: Faber & Faber.
  • Dionísio, Eduarda (1993) Títulos, Acções, Obrigações. Sobre a Cultura em Portugal 1974–1994, Lisboa: Edições Salamandra.
  • Fazenda, Maria José (1993) ‘Apenas com o Corpo, a dança nào consegue dizer tudo’, Público 15 October: 28.
  • Feldman, Allen (1996) ‘From Desert Storm to Rodney King via ex-Yugoslavia: On Cultural Anesthesia’, in Nadia Seremetakis (ed.) In The Senses Still: Perception and Memory as Material Culture in Modernity, Chicago: The University of Chicago Press.
  • Fiadeiro, João (1998) ‘… do we act after understanding or understand after acting?’, Theaterschrift-Extra—Intensification: Contemporary Portuguese Performance, Lisboa: Cotovía, pp. 65–82.
  • Franko, Mark (1995) Dancing Modernism/Performing Politics, Bloomington and Indianapolis: Indiana University Press.
  • Lourenço, Eduardo (1991) O Labirinto da Saudade. Psicanálisi mítica do destino português, Lisboa: Publicações Dom Quixote.
  • Lourenço, Eduardo (1999) Portugal como Destino seguido de Mitologia da Saudade, 2nd edn, Lisboa: Gradiva.
  • Mantero, Vera (n.d.) choreographic notes for the creation of A Dança do Existir, notebook titled ‘O Meu Traballio’.
  • Seremetakis, Nadia (1996) ‘The Memory of the Senses, Part II: Still Acts’, in Nadia Seremetakis (ed.) The Senses Still: Perception and Memory as Material Culture in Modernity, Chicago: The University of Chicago Press, pp. 23–43.
  • Taussig, Michael (1992) The Nervous System, New York/London: Routledge.

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