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Performance Research
A Journal of the Performing Arts
Volume 8, 2003 - Issue 3: On Smell
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Original Articles

Writing the Olfactory in the Live Performance Review

Pages 73-84 | Published online: 06 Aug 2014

REFERENCES

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  • Forkbeard Fantasy (1999–2000) The Brain, unpublished script.
  • Gardner, Lyn (2001) ‘Ghost Ward’, review in The Guardian, 4 May.
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  • Radford, Tim (2001) ‘Scientist Sniffs at Wine Buffs’ Nose for Purple Prose’, report in The Guardian, 1 November, science section.
  • Read, Alan (1993) Theatre in Everyday Life: An Ethics of Performance, London: Routledge.
  • Reason, Matthew (2003) ‘“Could These Hours Have Lasted…”: Representations of Live Performance Described, Analysed, and Evaluated’, unpublished PhD, University of Edinburgh.
  • Reynolds, Nigel (1989) ‘Opera Lovers Smell after Scratching through Prokofiev’, review in The Daily Telegraph, 1 December, p. 3.
  • Shepherd-Barr, Kirsten (1999) ‘“Mise en Scent”: The Théâtre d'Art's Cantique des Cantiques and the Use of Smell as a Theatrical Device’, Theatre Research International 2A(2): 152–9.
  • Spencer, Charles (2002a) ‘Little Shop of Despair and Hope’, review in The Daily Telegraph, 1 September.
  • Spencer, Charles (2002b) ‘Long Day's Booze-up into Night’, review in The Daily Telegraph, 11 September.
  • Steiner, George (1989) Real Presences, Chicago: University of Chicago Press.

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