REFERENCES
- Anderson, Porter (1995) ‘The Meat of the Medium: Anne Bogart and the American Avant-Garde’, in Michael Bigelow Dixon and Joel A. Smith (eds) Anne Bogart Viewpoints, Lyme, NH: Smith and Kraus.
- Bogart, Anne (2001) A Director Prepares: Seven Essays on Art and Theatre, London and New York: Routledge.
- Bunzli, James (1999) ‘Décalage as Impulse, Process and Outcome in the Theatre of Robert Lepage’, in The Drama Review 43(1) spring.
- Charest, Rémy (1997) Robert Lepage Connecting Flights, transl., Wanda Romer Taylor, London: Methuen.
- Delgado, Maria M. and Heritage, Paul (1996) ‘Robert Lepage’, in Maria M. Delgado and Paul Heritage (eds) In Contact with the Gods? Directors Talk Theatre, Manchester: Manchester University Press.
- Forgey, Benjamin (1988) ‘Lawrence Halprin: Maker of Places and Living Spaces; the landscapes that he creates are based on a combination of science, ecology and all-encompassing humanity’, The Smithsonian 19(9): 160.
- Gunter, Gregory (1995) ‘Imaging Anne: A Dramaturg's Notebook’, in Michael Bigelow Dixon and Joel A. Smith (eds) Anne Bogart Viewpoints, Lyme, NH: Smith and Kraus.
- Halprin, Lawrence, Burns, Jim, Halprin, Anna and Baum, Paul (1974) Taking Part—A Workshop Approach to Collective Creativity, Cambridge, MA: The MIT Press.
- Johnson, Brian D. (1995) ‘The Visionary: Famed Stage Director Robert Lepage Works His Magic on Film’, McLean's 11 September, 108(37): 56.
- Jucha, Brian (accessed 9 January 2004) Working with the Viewpoints' website: http://www.jucha.com/viewpoints.html
- Kaltenbrunner, Thomas (1998) Contact Improvisation: Moving, Dancing, Interaction, Aachen: Meyer & Meyer.
- Lampe, Eelke (1995) ‘The Paradox of the Circle: Anne Bogart's Creative Encounter with East Asian Performance Traditions’, in Michael Bigelow Dixon and Joel A. Smith (eds) Anne Bogart Viewpoints, Lyme, NH: Smith and Kraus.
- Landau, Tina (1995) ‘Sourcework, The Viewpoints and Composition: What Are They?’ in Michael Bigelow Dixon and Joel A. Smith (eds) Anne Bogart Viewpoints, Lyme, NH: Smith and Kraus.
- Lauren, Ellen (1995) ‘Seven Points of View’, in Michael Bigelow Dixon and Joel A. Smith (eds) Anne Bogart Viewpoints, Lyme, NH: Smith and Kraus.
- Mendenhall, Marie (2000) ‘Through the Lens of Robert Lepage: Special Effects in Theater and Film’, West Virginia University Philological Papers (fall): 96.