REFERENCES
- Balme, Christopher (1999) Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama, Oxford: Clarendon Press.
- Bharucha, Rustom (1993) Theatre and the World: Performance and the Politics of Culture, London and New York: Routledge.
- Bharucha, Rustom (2000a) The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization, London: Athlone Press.
- Bharucha, Rustom (2000b) Consumed in Singapore: The Intercultural Spectacle of Lear, Singapore: Page-setters.
- Bharucha, Rustom (2004) ‘Foreign Asia/Foreign Shakespeare: Dissenting Notes on New Asian Inter-culturality, Postcoloniality, and Recolonization’. Theatre Journal 56, 1–28.
- Carlson, Marvin (1996) ‘Brook and Mnouchkine: Passages to India?’ in P. Pavis (ed.) The Intercultural Performance Reader, London and New York: Routledge, pp. 79–92.
- FCP (2000) The Flying Circus Project: 00, Singapore: Publicity Flyer.
- Fischer-Lichte, Erika (1990) ‘Theatre, Own and Foreign: The Intercultural Trend in Contemporary Theatre’ in E. Fischer-Lichte, J. Riley and M. Gissenwehrer (eds), The Dramatic Touch of Difference: Theatre, Own and Foreign, Tübingen: Gunter Narr Verlag, pp. 11–22.
- Gomez-Peña, Guillermo (2000) Dangerous Border Crossers: The Artist Talks Back, London and New York: Routledge.
- Holledge, Julie and Tompkins, Joanne (2000) Women's Intercultural Performance, London and New York: Routledge.
- Lo, Jacqueline and Gilbert, Helen (2002) ‘Towards A Topography of Cross-Cultural Theatre Praxis' in TDR, 46(3), 31–53.
- Moeliono, Moira M.M. (2004) ‘Adat and Globalization: Living Apart Together', 26 April 2004, http://dlc.dlib.indiana.edu/archive/00000871/00/moelionom170502.pdf.
- Pavis, Patrice (1992) Theatre at the Crossroads of Culture, trans. L. Kruger, London and New York: Routledge.
- Pavis, Patrice (1996) ‘Introduction: Towards a Theory of Interculturalism in Theatre?’ in P. Pavis (ed.) The Intercultural Performance Reader, London and New York: Routledge, pp. 1–26.
- Serres, Michel (1995 [1993]) Angels: A Modern Myth, trans F. Cowper, Paris, New York: Flammarion.
- Stengers, Isabelle (1997) Pour en Finir Avec la Tolérance: Cosmopolitiques VII, La Découverte: Paris.
- Wee Wan-Ling, C. J. (2001) The ‘New Asian’ Modern in the Theatre: Cultural Fragments, the Singaporean Eunuch and the Asian Lear, Singapore: Pagesetters. ‘White Paper on Shared Values’ (1999 [1990]) in Quah, John S. T. (ed.) (1999 (1990]) In Search of Singapore's National Values (Reprinted with White Paper on ‘Shared Values’). Singapore: Times Academic Press.