REFERENCES
- Bauman, Zygmunt (1997) Postmodernity and its Discontents, Cambridge, Polity Press.
- Berger, Peter L. and Luckmann, Thomas (1972) The Social Construction of Reality, Middlesex, Penguin.
- Bial, Henry (ed.) (2004) The Performance Studies Reader, London, Routledge.
- Broadhurst, Susan (1999) Liminal Acts: A critical overview of contemporary performance and theory, London, Cassell.
- Connolly, Bob and Anderson, Robin (1988) First Contact: New Guinea Highlander Encounter the Outside World, London, Viking.
- Hardison, O. B. (1965) Christian Rite and Christian Drama in the Middle Ages, Baltimore, John Hopkins.
- Kirshenblatt-Gimblett, B (1999) Performance Studies, Rockefeller Foundation, Culture and Creativity. www.nyu.edu/tisch/performance/pages/essays/bkg.html, retrieved 23 March 2003.
- Leahy, Michael J. (1991) Explorations into Highland New Guinea 1930–1935, Tuscaloosa, University of Alabama Press.
- Matejka, Ladislav and Titunik, Irwin R. (eds.) (1984) Semiotics of Art: Prague School Contributions, London, MIT.
- Mckenzie, Jon (2001) Perform or Else: From Discipline to Performance, London, Routledge.
- Schechner, Richard (1994) Performance Theory, New York, Routledge
- Schiefflin, Edward L. (1992) ‘Problematizing Performance’, in Hughes-Freeland, Felicia (ed.) Ritual, Performance, Media, ASA Monographs 35, London, Routledge.
- Taylor, Diana (2003) The Archive and the Repertoire: Performing Cultural Memory in the Americas, Durham, Duke University Press. www.nyu.edu/tisch/performance/pages/essays/dianataylor.html, retrieved 23 March 2003.
- Theroux, Paul (2000) Fresh-Air Fiend: Travel Writings, 1985–2000, Middlesex, Penguin.
- Turner, Victor (1982) From Ritual to Theatre: the Human Seriousness of Play, New York, PAJ.
- Van Gennep, Arnold (1960) The Rites of Passage, London, Routledge.
- Willet, John (1960) The Theatre of Bertholt Brecht, New York, New Directions.