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Performance Research
A Journal of the Performing Arts
Volume 10, 2005 - Issue 2: On Form/Yet to Come
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Original Articles

Heiner Müller and Martin Wuttke: Staging new images in a time of change

Pages 59-69 | Published online: 06 Aug 2014

References

  • Beauregard, Victor (1996) ‘Ghosts and the Dead Man’, Hunter On-line Theater Review, Accessed: 8 June 2004, from http://hotreview.org/articles/ghosts.htm.
  • Bohrer, Karl Heinz (1991) ‘Why We Are Not a Nation—And Why We Should Become One’, New German Critique 52: 72–83.
  • Brecht, Bertolt (1976) The Resistible Rise of Arturo Ui: A Parable Play, trans. R. Manheim, London: Eyre Methuen.
  • Brockmann, Stephen (1991) ‘The Reunification Debate’, New German Critique 52: 3–30.
  • Clyne, Michael (1995) The German Language in a Changing Europe, Cambridge and New York: Cambridge University Press.
  • Fox, Thomas C. (1999) Stated Memory: East Germany and the Holocaust, Rochester, NY: Camden House.
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  • Maclean, Hector (1991) ‘Becoming Animal: Dramatisations of Kafka's Metamorphosis and A Report To An Academy’, Antithesis 4(2): 48–59.
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  • Müller, Heiner (1985) ‘Fatzer +/- Keuner’ trans. J. Agee, in Margaret Herzfeld-Sander (ed.) Essays on German Theater, New York: Continuum, pp. 338–49.
  • Müller, Heiner [1992) Krieg Ohne Schlacht: Leben in Zwei Diktaturen, Köln: Kiepenheuer and Witsch.
  • Müller, Heiner (1995) ‘“Theater ist feudalistisch”: Dramatiker Heiner Müller über das Berliner Ensemble, DDR-Nostalgie und Rechts-Links-Verwirrungen.' Der Spiegel (12): 226.
  • Müller, Heiner [2001) ‘Germania 3 Ghosts at Dead Man' trans. C. Weber, in Carl Weber (ed.) A Heiner Müller Reader, Baltimore/London: The John Hopkins University Press, pp. 178–216.
  • Rehnitz, Alban (1996) in Theaterdokumentation der Stiftung Archiv der Akademie der Künste, Archiv D573, Berlin: unpublished.
  • Seibt, Gustav (1997) ‘Der Führer privat’, Berliner Zeitung, 14 April.
  • Teschke, Holger (1998) ‘Heiner Muller for Instance’, New German Critique 73: 12.
  • Weber, Carl (1996) ‘From Schiffbauerdamm to Fisherman's Warf: Remembering Heiner Muller’, New German Critique 73: 19–30.

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