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Performance Research
A Journal of the Performing Arts
Volume 10, 2005 - Issue 2: On Form/Yet to Come
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Original Articles

A few notes on Branko Gavella and his theory of acting

Pages 70-73 | Published online: 06 Aug 2014

References

  • Barba. Eugenio [1995] The Paper Canoe, A Guide to Theatre Anthropology, trans. Richard Fowler, London and New York: Routledge.
  • Blažević, Marin (2003] ‘Taming the Vague—Gavella's Theoretical, New Actor-Spectator’, Frakcija 28–29.
  • Gavella, Branko [2001] ‘A Barely Noticeable Stitch’, Frakcija 20/21.
  • Petlevski, Sibila [2001] Kazalište suigre [The Theatre of Co-play], Zagreb: Antibarbarus.
  • Phelan, Peggy [1996] Unmarked: The Politics of Performance, London and New York: Routledge.
  • Vagapova, Natalija [1977] ‘Branko Gavella i ruska kazališna kultura’, Forum, JAZU-Zagreb, nos. 4–5, pp. 825–32.
  • Zuppa, Vjeran [1989] Uvod u fenomenologiju suvremenog hrvatskog glumiša (Introduction to the Phenomenology of the Contemporary Croatian Theatre), Zagreb: Grafiäki zavod Hrvatske.

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