REFERENCES
- Aeschlimann, Roland, Teicher, Hendel and Berger, Maurice (2002) Trisha Brown: Dance and Art in Dialogue, 1961–2001, Andover, Massachusetts; Cambridge, Massachusetts: Addison Gallery of American Art, Phillips Academy; Distributed by the MIT Press.
- Anderson, Jack (1979) ‘Dance View: Trisha Brown's Minimalism’, New York Times, 15 July.
- Banes, Sally and Baryshnikov, Mikhail (2003) Reinventing Dance in the 1960s: Everything Was Possible, Madison, Wisconsin: University of Wisconsin Press.
- Battcock, Gregory (1968) Minimal Art: A Critical Anthology, New York: E. P. Dutton.
- Brown, Trisha and Sears, David (1981) Interview with Trisha Brown, interviewed by David Sears, Audiocassette.
- Brown, Trisha and Rosenberg, Douglas (1996) Trisha Brown, produced and directed by Douglas Rosenberg, interviewer: Charles L. Reinhart, American Dance Festival and ADF Video, Videocassette.
- Brown, Trisha, Delahaye, Guy, Mangolte, Babette and Brunel, Lise (1987) Trisha Brown, Paris: Editions Bougé.
- Copeland, Roger (1976) ‘The “Post-Modern” Choreography of Trisha Brown,’ New York Times, 4 January. Davenport, Kimberly (1995) ‘Impossible Liberties: Contemporary Artists on the Life of Their Work over Time,’ Art Journal, 54, 2:40–52.
- Foster, Susan Leigh, ed. (1995) Choreographing History, Bloomington and Indianapolis: Indiana University Press.
- Franko, Mark and Richards, Annette, eds. (2000) Acting on the Past: Historical Performance Across the Disciplines, Hanover and London: Wesleyan University Press.
- Fried, Michael (1998 [1967]) Art and Objecthood', in Michael Fried (ed.) Art and Objecthood: Essays and Reviews, Chicago: University of Chicago Press.
- Gelb, Michael (1987) Body Learning: An Introduction to the Alexander Technique, New York: Henry Holt.
- Goldberg, Marianne (1986) ‘Trisha Brown: “All of the Person's Person Arriving”’, The Drama Review 30, 1: 149–70.
- Jowett, Deborah (1976) ‘Dance Reviews’, Village Voice, 12 January.
- Kisselgoff, Anna (1976) ‘Wall Dancer Adds New Dimension’, New York Times, 8 January.
- Kisselgoff, Anna (1976) ‘Complexity in Trisha Brown's Dances’, New York Times, 10 January.
- Krauss, Rosalind E. (1981) Passages in Modern Sculpture, Cambridge, Massachusetts: MIT Press.
- Lippard, Lucy R. (1997) Six Years: The Dematerialization of the Art Object from 1966 to 1972, Berkeley: University of California Press.
- Livet, Anne (1978) Contemporary Dance: An Anthology of Lectures, Interviews and Essays with Many of the Most Important Contemporary American Choreographers, Scholars and Critics, New York: Abbeville Press.
- Mascall, Jennifer, ed. (1978) Footnotes: A Selection of Choreographers' Notes produced by Jennifer Mascall. Toronto: Dreadnaught Press.
- Morris, Robert (1968 [1966]) ‘Notes on Sculpture’, in Gregory Battcock (ed.) Minimal Art: A Critical Anthology, New York: E. P. Dutton, pp. 222–35.
- Rainer, Yvonne (1974) Work 1961–73. Halifax Nova Scotia; New York: Press of the Nova Scotia College of Art and Design; New York University Press.
- Sulzman, Mona (1978), ‘Choice/Form in Trisha Brown's Locus: A View from Inside the Cube’, Dance Chronicle 2, 2: 117–30.
- Wooster, Ann-Sargent (1980) ‘Elaine Summers: Moving to Dance’, The Drama Review 24, 4: 59–70.