REFERENCES
- Appia, Adolphe (1962) Music and the Art of Theatre, trans. R. W. Corrigan and Douglas Dirks, Miami: University of Miami Press.
- Berendt, Joachim-Ernst (1988) The Third Ear, Vermont: Destiny Books.
- Berendt, Joachim-Ernst (1991) The World is Sound: Nada Brahma, Vermont: Destiny Books.
- Billington, Michael (2004) ‘The horror, the horror’, Guardian, 22 December.
- Boulez, Pierre (1971) Boulez on Music Today, London: Faber and Faber.
- Burris-Meyer, Harold (1959) Sound for Theatre, Mineola: NY, Radio Magazines, Inc.
- Clapp, Susannah (1998) ‘Theatre’, Observer, 15 March.
- Clapp, Susannah (2004) ‘Noises On and Off’, Observer, 26 December.
- Crary, Jonathan (1990) Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, Cambridge MA and London: MIT Press.
- Harwood, Ronald (1992) Reflected Glory, London: Faber and Faber.
- Kahn, Douglas (1992) ‘Histories of Sound Once Removed’ in Kahnand Whitehead Gregory (eds.) Wireless Imagination: Sound Radio and the Avant-Garde, Cambridge, MA and London: MIT Press.
- Kahn, Douglas (1999) Noise Water Meat, Cambridge MA and London: MIT Press.
- Kaye, D. and Lebrecht, J. (1992) Sound and Music for Theatre, New York: Back Stage Books.
- Lingis, Alphonso (1994) The Community of Those who have Nothing in Common, Bloomington: Indiana University Press
- Murray Schafer, R. (1994) Our Sonic Environment and the Tuning of the World, Vermont: Destiny Books.
- Napier, Frank (1936) Noises Off: A Handbook of Sound Effects, London: F. Muller Ltd.
- Rebellato, Dan (1999) 1956 and All That, London: Routledge
- Schopenhauer, A. (1911) Samliche Werk: Erster Band, Die Welt als Wille und Vorstellung, ed. Paul Deussen, Munich.
- Sellars, Peter (1992) ‘Foreword’ in D. Kaye and J. Lebrecht Sound and Music for Theatre, New York: Back Stage Books.
- Serres, Michel (1995) Genesis, trans. G. James and J. Nielson, Ann Arbor: University of Michigan Press.
- Smith, Bruce R. (1999) The Acoustic World of Early Modern England-Attending to the O-Factor, London: University of Chicago Press.
- Stern, Jonathan (2003) The Audible Past, Durham NC and London: Duke University Press.
- Thomas, Richard K. (2001)‘The Function of the Soundscape’, Theatre Design and Technology Journal 37.1: 18–29.
- Toop, David (2004) Haunted Weather: Music, Silence and Memory, London: Serpents Tail.