REFERENCES
- Dolan, Jill (2001) ‘Performance, utopia, and the “utopian performative”’, Theatre Journal 53: 455–79.
- Durini, Lucrezia De Domizio (1997) The Felt Hat: Joseph Beuys: A Life Told, Milan: Charta.
- Goldsworthy, Andy (1990) A Collaboration with Nature, New York: Abrams.
- Goldsworthy, Andy (2000) Time, New York: Abrams.
- Goldsworthy, Andy (2001) Midsummer Snowballs, New York: Abrams.
- Grosz, Elizabeth (2001) ‘In-between: The natural in architecture and culture’, Architecture From the Outside, Cambridge: MIT Press.
- Levinas, Emmanuel (1987 [1947]) Time and the Other, trans. R. Cohen, Pittsburgh: Duquesne University Press.
- Levinas, Emmanuel (1969 [1961]) Totality and Infinity, trans. A. Lingis, Pittsburgh: Duquesne University Press.
- Levy, Mark (1988) ‘The shaman is a gifted artist’, High Performance 43: 54–61.
- Lingis, Alphonso (1998) The Imperative, Bloomington: Indiana University Press.
- Rosenthal, Mark (2004) ‘Joseph Beuys: Staging Sculpture’, in Mark Rosenthal, Sean Rainbird and Claudia Schmuckli Joseph Beuys: Actions, Vitrines, Environments, Houston: Menil Collection, pp. 10–135.