REFERENCES
- Bachelard, Gaston (1994) The Poetics of Space, trans. Maria Jolas, Boston: Beacon Press.
- Crowther, Paul (1993) Art and Embodiment: From Aesthetics to Self-Consciousness, Oxford, New York: Oxford University Press.
- Fischer, Ernst (2001) ‘Writing Home: Post-modern melancholia and the uncanny space of living-room theatre’ in Patrick Campbell and Adrian Kear (eds.) Psychoanalysis and Performance, London and New York: Routledge, pp. 115–31
- Giannachi, Gabriella (2004) Virtual Theatres: An introduction, London and New York: Routledge
- Howard, Pamela (2002) What is Scenography?, London and New York: Routledge.
- Lefebvre, Henri (1991) The Production of Space, trans. Donald Nicholson-Smith, Maiden, Oxford and Carlton: Blackwell.
- McAuley, Gay (2000) Space in Performance: Making Meaning in the Theatre, Ann Arbor: The University of Michigan Press.
- Merleau-Ponty, Maurice (1962) Phenomenology of Perception, trans. Colin Smith, London and New York: Routledge.
- Puglisi, Luigi Prestinenza (1999) Hyper Architecture: Spaces in the Electronic Age, trans. Lucinda Byatt, Basel, Boston and Berlin: Birkhäuser.
- Read, Alan (1993) Theatre and Everyday Life: An Ethics of Performance, London and New York: Routledge.
- Soja, Edward (2000) ‘Thirdspace: Expanding the scope of the geographical imagination’, in Alan Read (ed.) Architecturally Speaking, London and New York: Routledge, pp. 13–30.
- Tschumi, Bernard (1990) Questions of Space, London: Architectural Association Publications.