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Performance Research
A Journal of the Performing Arts
Volume 16, 2011 - Issue 1: On Trauma
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Original Articles

Acting Out Trauma in the Theatre of Embarassment: George Tabori's Shylock Improvisations

Pages 142-152 | Published online: 16 Mar 2011

REFERENCES

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  • Müller , André . 1994 . Ich habe mein Lachen verloren . Die Zeit , 6 May
  • Schmidt , Dietmar N. 1978 . Menschenliebe, die Spuren von Verachtung zeigt: George Taboris Interpretation des “Kaufmanns von Venedig” . Deutsches Allgemeines Sonntagsblatt , 24/31 December
  • Schülting , Sabine . 2005 . “ I am not bound to please thee with my answers ” . In The Merchant of Venice on the post-war German stage , Edited by: Massai , Sonia . 65 – 71 . Abingdon : Routledge . World-Wide Shakespeare: Local appropriations in film and performance
  • Shakespeare , William . 1967 . The Merchant of Venice , Harmondsworth : Penguin .
  • Tabori , George . 1981 . Unterammergau oder Die guten Deutschen , Frankfurt : Suhrkamp .
  • Tabori , George . 1975 . Hamlet in blue . Theatre Quarterly , 5 : 116 – 32 .
  • Tautz , Birgit . 1998 . “ Bedeckt, Entblößt, Nackt: Verkörperte Geschichte in George Taboris Shylock-Improvisationen ” . In Embodied Projections on History: George Tabori's theater work , Edited by: Höyng , Peter . 67 – 88 . Tübingen and Basel : Francke .
  • Verch , Maria . 1985 . The Merchant of Venice on the German stage since 1945 . Theatre History Studies , 5 : 84 – 93 .
  • Welker , Andrea and Berger , Tina . 1979 . George Tabori: Ich wollte meine Tocher läge tot zu meinen Füßen und hätte die Juwelen in den Ohren, Improvisationen über Shakespeares Shylock, Dokumentation einer Theaterarbeit , Edited by: Welker , Andrea and Berger , Tina . Munich : Hanser .
  • Wulf , Joseph . 1989 . Theater und Film im Dritten Reich: Eine Dokumentation , Frankfurt : Ullstein .

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