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Performance Research
A Journal of the Performing Arts
Volume 18, 2013 - Issue 4: On Falling
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Constructions

An Avant-garde Falling

Pages 63-68 | Published online: 01 Nov 2013

REFERENCES

  • Ader, Bas Jan (2007) Official Website, www.basjanader.com, accessed 10 December 2012.
  • Badiou, Alain (2007) The Century, trans. and commentary A. Toscano, Polity Press.
  • Baudelaire, Charles (1995) ‘On the essence of laughter’, in Jonathan Mayne (trans. and ed.) The Painter of Modern Life, London and NYC: Phaidon Press, pp. 147–65.
  • Bergson, Henri (1921) Laughter: An essay on the meaning of the comic, trans. C. Brereton and F. Rothwell, London: Macmillan and Co.
  • Bergson, Henri (1946) The Creative Mind, trans. M. Andison, New York, NY: Citadel Press.
  • GibianGeorge (ed.) (1987) The Man in the Black Overcoat: Russia's literature of the absurd, Northwestern University Press.
  • Kantor, Tadeusz (1993) A Journey Through Other Spaces: Essays and manisfestos, 1944-1990, ed. and trans. M. Kobialka, Berkeley: University of California Press.
  • Kim-Cohen, Seth (2005) ‘“The artist's body as gravity makes itself its master”: Bas Jan Ader's incompetence’, published talk, Tate Modern, London, www.kim-cohen.com/texts.html, accessed 11 December 2012.
  • Kobrinsky, Aleksandr (1991) ‘Some features of the poetics of Kharm's prose: The story “Upadanie” (“The Falling”)’, in N. Cornwell (ed.) Danil Kharms and the Poetics of the Absurd, London: Macmillan, pp. 146–155.
  • OstashevskyEugene (ed.) (2006) Oberiu, An Anthology of Russian Absurdism, Illinois: Northwestern University Press.

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