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Performance Research
A Journal of the Performing Arts
Volume 18, 2013 - Issue 4: On Falling
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Act of Repair

Pages 7-13 | Published online: 01 Nov 2013

REFERENCES

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  • Fensham, Rachel (2005) ‘Beyond corporeal feminism: Thinking performance at the end of the twentieth century’, Women: A cultural review, 16(3): 284–304. doi: 10.1080/09574040500321354
  • Grosz, Elizabeth (1994) Volatile Bodies: Toward a corporeal feminism, Indianapolis: Indiana University Press.
  • Kontturi, Katve-Kaisa, and Tiainen, Milla (2007) ‘Feminism, art, Deleuze, and Darwin: An interview with Elizabeth Grosz’, NORA: Nordic Journal of Women's Studies, 15(4): 246–56. doi: 10.1080/08038740701646739
  • Lacan, Jacques (1998) The Four Fundamental Concepts of Psychoanalysis (The Seminar of Jacques Lacan, Book 11), ed. Jacques-Alain Miller, trans. Alan Sheridan, New York, NY: W.W Norton & Company, p.1.
  • Phelan, Peggy (1996) ‘Dance and the history of hysteria’, in Susan Leigh Foster (ed.) Corporealities: Dancing knowledge, culture and power, London: Routledge, pp. 90–105.
  • Taylor, Yana (2010) Recapturing the Vertical: Yana Taylor in conversation with Nikki Heywood and Heidrun Lohr, Sydney: Critical Path, http://www.criticalpath.org.au/assets/PDF/recapturing_the_vertical.pdf, accessed 13 June 2013.

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