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Performance Research
A Journal of the Performing Arts
Volume 18, 2013 - Issue 4: On Falling
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Falling Faint

On syncopated spectatorship and The Author

Pages 22-29 | Published online: 01 Nov 2013

REFERENCES

  • Barthes, Roland (1975) S/Z, trans. Richard Miller, London: Jonathan Cape
  • Barthes, Roland (1977) ‘The Death of the Author’, Image Music Text, trans. Stephen Heath, London: Fontana Press pp.142–148.
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  • Bottoms, Stephen (2009) ‘Authorizing the audience: The conceptual drama of Tim Crouch’, Performance Research 14(1): 65–76. doi: 10.1080/13528160903113213
  • Brennan, Teresa (2000) Exhausting Modernity: Grounds for a new economy, London: Routledge.
  • Brennan, Teresa (2004) The Transmission of Affect, New York, NY: Cornell University Press.
  • Clement, Catherine (1994) Syncope: The Philosophy of Rapture, trans. Sally O'Driscoll and Deirdre M.Mahoney, Minneapolis: University of Minnesota Press.
  • Compact Oxford English Dictionary (OED) (1991) Oxford: Oxford University Press.
  • Crouch, Tim (2009) The Author, London: Oberon.
  • Crouch, Tim (2011) ‘The Author: Response and responsibility’, Contemporary Theatre Review 21(4): 416–22. doi: 10.1080/10486801.2011.610312
  • Foucault, Michel (1980) ‘What is an author?’, in Donald F. Bouchard (ed.) Language: Counter-memory, practice: Selected essays and interviews, New York, NY: Cornell University Press, pp. 113–39.
  • Freshwater, Helen (2009) Theatre & Audiences, Basingstoke: Palgrave Macmillan.
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  • Goode, Chris (2010a) Thompson's Bank of Communicable Desire, Edinburgh Diary 18 August, http://beescope.blogspot.com/2010/08/edinburgh-diary-2010-6.html, accessed 3 February 2013, Published 19 August 2010.
  • Goode, Chris (2010b) Thompson's Bank of Communicable Desire, The Theatre is on Fire; or, feu d'artifice, http://beescope.blogspot.com/2010/10/theatre-is-on-fire.html, accessed 3 February 2013, Published 2 October 2010.
  • Iball, Helen (2011) ‘A mouth to feed me: Reflections inspired by the poster for Tim Crouch's The Author’, Contemporary Theatre Review 21(4): 431–44. doi: 10.1080/10486801.2011.610314
  • Leder, Drew (1990) The Absent Body, London: University of Chicago Press.
  • Lehmann, Hans Thies (2006) Postdramatic Theatre, trans. Karen Jurs Munby, London: Routledge.
  • Massumi, Brian (2002) Parables for the Virtual: Movement, affect and sensation, London: Duke University Press.
  • Ranciere, Jacques (2007) ‘The emancipated spectator’, Artforum (45:7): 270–81.
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  • Smith, Andy (2011) ‘Gentle acts of removal, replacement and reduction: Considering the audience in co-directing the work of Tim Crouch’, Contemporary Theatre Review 21(4): 410–15. doi: 10.1080/10486801.2011.610311
  • Woods, Penelope (2012) ‘Globe audiences: Spectatorship and reconstruction at Shakespeare's Globe’, unpublished PhD thesis, Queen Mary, University of London.

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