REFERENCES
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- Baudrillard, Jean, ‘The Precession of Simulacra’, trans. Paul Foss and Paul Patton, Art After Modernism: Rethinking Representation. Ed. Brian Wallis, New York, NY: The New Museum of Contemporary Art, 1984, pp. 253–81
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- Dunbar, Kevin (2001) ‘The analogical paradox: Why analogy is so easy in naturalistic settings, yet so difficult in the psychological laboratory’, in Dedre Gentner, Keith James Holyoak and Boicho Nikolov Kokinov (eds) The Analogical Mind: Perspectives from cognitive science, Cambridge, MA: MIT Press, pp. 313–34.
- Gholson, Craig (1985) ‘John Jesurun’, BOMB 11, pp. 90–1.
- Giannachi, Gabriella (2004) Virtual Theatres: An introduction, London: Routledge.
- Hofstadter, Douglas (2001) ‘Analogy as the core of cognition’, in Dedre Gentner, Keith James Holyoak and Boicho Nikolov Kokinov (eds) The Analogical Mind: Perspectives from cognitive science, Cambridge, MA: MIT Press, pp. 499–538.
- Hutcheon, Linda (2006) A Theory of Adaptation, New York, NY: Routledge.
- Jesurun, John (1986) ‘Deep Sleep’, in Wordplays 5: An anthology of new American drama, ed. James Lapine, New York, NY: PAJ, pp. 223–304.
- Jesurun, John (1987) Introduction to ‘White Water’, in M. Elizabeth Osborn (ed.) On New Ground: Hispanic-American plays, New York, NY: Theatre Communications Group, pp. 73–142.
- Jesurun, John (1993) ‘Breaking the relentless spool of film unrolling’, Felix: A journal of media arts and communication 1(3): 64–9.
- Marranca, Bonnie (2010) ‘Performance as design: The mediaturgy of John Jesurun's Firefall’, Performing Arts Journal 96: 16–24.
- Ryan, Marie-Laure (2006) Avatars of Story, Minneapolis, MN: University of Minnesota Press.