REFERENCES
- Abbott, Edwin A. (1984) Flatland: A romance of many dimensions, New York, NY: Penguin.
- Artaud, Antonin (1958) The Theatre and its Double, trans. Mary Caroline Richards, New York: Grove Press.
- Cox, D. (1988) ‘Using the supercomputer to visualize higher dimensions: An artist's contribution to scientific visualization’, Leonardo, 21(3): 233–42. doi: 10.2307/1578648
- Forsythe, William (1999) William Forsythe: Improvisation Technologies : A tool for the Analytical Dance Eye, ZKM digital arts edition. CD-ROM.
- Forsythe, William and Paul Kaiser (1999) ‘Dance Geometry: William Forsythe in Dialogue with Paul Kaiser’, Performance Research 4(2): 64–71.
- Hattrick, Alice (2012) ‘The White Review–Interview with Manfred Mohr’, www.thewhitereview.org/interviews/interview-with-manfred-mohr, accessed 7 April 2013.
- Hayles, Katherine (2005) My Mother was a Computer: Digital subjects and literary texts, Chicago, MA: The University of Chicago Press.
- Leroi-Gourhan, André (1993) Gesture and Speech, Cambridge, MA: MIT Press.
- Rotman, Brian (2008) Becoming beside Ourselves: The alphabet, ghosts, and distributed human being, Durham: Duke University Press.
- Salazar Sutil, Nicholas, and Melo, Sebastian (forthcoming) ‘Exposed to time: Cross-histories of human motion visualization from chronoto dynamophotography’, in Douglas Rosenberg (ed.) Oxford Handbook of Screendance, Oxford: Oxford University Press.