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Performance Research
A Journal of the Performing Arts
Volume 19, 2014 - Issue 1: On Abjection
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Original Articles

Taking Apart the Body

Abjection and body art

REFERENCES

  • Ben-Levi, J., C. Houser, L. C. Jones and S. Taylor (1993) ‘Introduction’ in Abject Art: Repulsion and desire in American art: Selections from the permanent collection, exhibition catalogue, New York: Whitney Museum of American Art, pp. 7–15.
  • Butler, J. (1993) Bodies That Matter: On the discursive limits of ‘sex’, New York: Routledge.
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  • Miller, W. I. (1997) The Anatomy of Disgust, Cambridge, Massachusetts: Harvard University Press.
  • Morris, F. (1995) ‘Mona Hatoum’, in S. Morgan and F. Morris (eds) Rites of Passage: Art for the end of the century, London: Tate Gallery Publications, pp. 102–5.
  • Ross, C. (2003) ‘Redefinitions of abjection in contemporary performances of the female body’, in F. S. Connelly (ed.) Modern Art and the Grotesque, Cambridge: Cambridge University Press, pp. 281–90.
  • Salih, S., (ed.) with J. Butler (2003) The Judith Butler Reader, Oxford: Wiley–Blackwell.
  • Tickner, L. (1987) ‘The body politic: Female sexuality and women artists since 1970’, in R. Parker and G. Pollock (eds) Framing Feminism: Art and the Women's Movement 1970–1985, London: Routledge, pp. 263–75.
  • Turner, B. S. (1996) The Body and Society: Explorations in social theory, 2nd edn, London: Sage.
  • Warr, T., and A. Jones (eds) (2000) The Artist's Body, London: Phaidon.

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