REFERENCES
- Ahmed, Sara (1998) Differences that Matter: Feminist theory and postmodernism, Cambridge: Cambridge University Press.
- Bailes, Sara Jane (2011) Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service, Abingdon: Routledge.
- Beckett, Samuel (2010) The Unnameable, London: Faber and Faber.
- Bottoms, Steve (2007) Small Acts of Repair: Performance, ecology, and Goat Island, London: Routledge.
- Braidotti, Rosi (1994) Nomadic Subjects: Embodiment and sexual difference in contemporary feminist theory, New York: Columbia University Press.
- Braidotti, Rosi (2013) The Posthuman, Cambridge: Polity Press.
- Carlson, Marvin (1996) Performance: A critical introduction, London: Routledge.
- Cohen, Leonard (1984) Hallelujah, produced by John Lissauer.
- Colebrook, Claire (2004) Irony, London: Routledge.
- Costa, Maddy (2011) ‘Ontroerend Goed: Are you sitting uncomfortably?’, Guardian, 7 November, www.theguardian.com/stage/2011/nov/07/ontroerend-goed-theatreaudience, accessed 16 December 2011.
- Etchells, Tim (2003) ‘Live Culture: Performance and the contemporary’, Keynote for Live Culture Symposium, Tate Modern, London, 29 March, www.tate.org.uk/context-comment/video/live-culture-performance-andcontemporary-part-3, accessed 28 September 2013.
- Forced Entertainment (2011) Promotional material, The Thrill of It All.
- GETINTHEBACKOFTHEVAN (2012) Video Recording of Big Hits at Junge Hunde Festival, Bora Bora, Denmark (October 2012)
- Forced Entertainment (2011) Promotional material, The Thrill of It All.
- Gardner, Lyn (2011) ‘Audience: Witchhunt in the aisles’, Guardian, 10 August, www.theguardian.com/culture/ theatreblog/2011/aug/10/audience-ontroerend-goedwitchhunt-aisles, accessed 3 October 2013.
- Harris, Geraldine (1999) Staging Femininities: Performance and performativity, Manchester: Manchester University Press.
- Nicholson, Linda (1992) ‘Feminism and the politics of postmodernism’, boundary 2, 19(2): 53–69. doi: 10.2307/303533
- Nick730 (2011) ‘Theatre review: Audience’, So anyway, theatre review blog, 13 December, http://nick730. livejournal.com/629556.html, accessed 3 October 2013.
- Norris, Christopher (1995) ‘Versions of apocalypse: Kant, Derrida, Foucault’, in Malcolm Bull (ed.) Apocalypse Theory and the Ends of the World, Oxford: Blackwell, pp. 227–48.
- Ridout, Nicholas (2006) Stage Fright, Animals and Other Theatrical Problems, Cambridge: Cambridge University Press.
- Svich, Caridad (2003) (ed.) ‘Tim Etchells in conversation with Caridad Svich,’ in Trans-global Readings: Crossing theatrical boundaries, Manchester: Manchester University Press, pp. 31–5.
- Tomlin, Liz (2013) Acts and Apparitions: Discourses on the real in performance practice and theory, 1990–2010, Manchester: Manchester University Press.
- Webcowgirl (2011) ‘Review – Audience – Ontroerend Goed at the Soho Theatre’, Life in the Cheap Seats – Webcowgirl's London Theatre Reviews Blog, 10 December 2011, http://webcowgirl.wordpress.com/2011/12/10/review-audienceontroerend-goed-soho-theatr/, accessed 4 December 2011.