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Performance Research
A Journal of the Performing Arts
Volume 19, 2014 - Issue 5: On Turbulence
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Original Articles

Performing the Paradox of Affect and Interpretation

Turbulence in Vertical City

REFERENCES

  • Barba, Eugenio (2000) ‘The deep order called turbulence: The three faces of dramaturgy’, TDR: The Drama Review 44(4): 56–66. doi: 10.1162/10542040051058474
  • Barton, Bruce (2014) ‘Subtle spectacle: Risking Theatricality with Vertical City’, About Performance 12: 103–25.
  • Barton, Bruce (2005) ‘Navigating “Turbulence”: The Dramaturg in Physical Theatre’. Theatre Topics 15(1): 103–19. doi: 10.1353/tt.2005.0001
  • Fischer-Lichte, Erika (2008) ‘Reality and fiction in contemporary theatre’, Theatre Research International 33(1): 84–98. doi: 10.1017/S0307883307003410
  • Gibbs, Anna (2010) ‘After affect: Sympathy, synchrony, and mimetic communication’, in Melissa Gregg and Gregory J. Seigworth (eds) The Affect Reader, Durham, NC: Duke University Press, pp. 186–205.
  • Iball, Helen (2012) ‘My sites set on you: Site-specificity and subjectivity in “intimate theatre”’, in Anna Birch and Joanne Tompkins (eds) Performing Site-specific Theatre, Basingstoke: Palgrave, pp. 201–15.
  • Machon, Josephine (2011) (Syn)aesthetics: Redefining visceral performance, Basingstoke: Palgrave.
  • Machon, Josephine (2013) Immersive Theatres: Intimacy and immediacy in contemporary performance, Basingstoke: Palgrave.
  • Malzacher, Florian (2010) ‘The scripted realities of Rimini Protokoll’, in Carol Martin (ed.) Dramaturgy of the Real on the World Stage, Basingstoke: Palgrave, pp. 80–7.
  • Sheets-Johnstone, Maxine (2009) The Corporeal Turn: An interdisciplinary reader, Exeter: Imprint Academic.
  • States, Bert O. (1987) Great Reckonings in Little Rooms: On the phenomenology of theater, Berkeley: University of California Press.
  • Welton, Mary (2014) ‘Footage: Surface feelings’, in Nicola Shaughnessy (ed.) Affective Performance and Cognitive Science: Body, brain and being, London: Bloomsbury Methuen, pp. 159–69.
  • White, Gareth (2012) ‘On immersive theatre’, Theatre Research International 37(3): 221–35. doi: 10.1017/S0307883312000880
  • White, Gareth (2013) Audience Participation in Theatre: Aesthetics of the invitation, Basingstoke: Palgrave.

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