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Performance Research
A Journal of the Performing Arts
Volume 19, 2014 - Issue 5: On Turbulence
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Original Articles

The Self/portrait Effects and Dance Performance

Rineke Dijkstra's The Krazyhouse and William Forsythe's the second detail

REFERENCES

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  • Carter, Paul (2014) ‘On turbulence: Editorial framing statement’, Performance Research, http://www.performance-research.org/editorial-callsforsubmissions.php accessed 11 April 2014.
  • Caspersen, Dana (2000) ‘It starts from any point’, in S., Driver (ed.) Choreography and Dance: William Forsythe 5(3), Reading: Harwood Academic Publishers, pp. 25–40.
  • Caspersen, Dana (2011) Unpublished correspondence with the author, 14 March 2011.
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  • Dijkstra, Rineke (1996–7) The Buzz Club, Liverpool, UK, Mysteryworld, Zaandam, NL, video installation, Liverpool and Zaandam (two-channel video projection with sound, c. twenty-six minutes).
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  • The National Ballet of Canada (1991) the second detail, Toronto, 'Keefe Centre, 1991. The National Ballet of Canada Archive. Performers: Dominique Dumais, Sarah Green, Rex Harrington, Jill Johnson, Martine Lamy et.al. (VHS of archival performance recording)
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  • Tomić-Vajagić, Tamara (2012) ‘The dancer's contribution: Performing plotless choreography in the leotard ballets of George Balanchine and William Forsythe’, unpublished Phd thesis, University of Roehampton London, 2012.
  • Visser, Hripsimé (2012) ‘Pose and let go’, Foam Magazine, pp. 81–8, Spring.

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