REFERENCES
- Jacques, Attali (1985) Noise: The political economy of Music, trans. Brian Massumi, Manchester: Manchester University Press.
- Bloom, Gina (2007) Voice in Motion Shaping Gender, Shaping Sound in Early Modern England, Philadelphia: University of Pennsylvania Press.
- Connor, Steven (2007) ‘Next to nothing: The arts of air’, talk at Art Basel, http://www.stevenconnor.com/airart/, accessed 14 May 2014.
- Grosz, Elizabeth (2008) Chaos, Territory, Art: Deleuze and the framing of the earth, New York: Columbia University Press.
- Irigaray, Luce (1985) This Sex Which is Not One, trans. Catherine Porter, New York: Cornell University Press.
- Kahn, Douglas (1999) Noise, Water, Meat: A history of sound in the Arts, Cambridge, MA: MIT Press.
- McClary, Susan (1985) ‘Afterword: The Politics of Silence and Sound’ in Jacques, A., Noise: The political economy of Music, trans. Brian Massumi, Manchester: Manchester University Press.
- Schwartz, Hillel (2011) Making Noise: From Babel to the Big Bang and beyond, New York: Zone Books.
- Skantze, P.A. (2003) Stillness in Motion in the Seventeenth Century Theatre, London: Routledge.
- Starr, Georgina (2009) I'm the Whistler, http://georginastarr.com/Georgina-starr-I-am-the-whistler.htm, accessed 6 May 2014.
- Starr, Georgina (2009) Mum sings Hello, http://georginastarr.com/georgina-starr-mums-sings-hello.htm, accessed 23 September 2014.
- Starr, Georgina (2006) Theda, http://georginastarr.com/theda2.php, accessed 23 September 2014.
- Starr, Georgina (2010) Whistle from I am a Record, http://georginastarr.com/whistle.html, accessed 23 September 2014.
- Starr, Georgina (2010) I Am A Record, exhibition catalogue, Poitier: Le Confort Moderne.
- Thompson, Marie (2013) ‘Gossips, sirens, hi-fi wives: Feminizing the threat of noise’, in Michael Goddard, Benjamin Halligan and Nicola Spelman (eds) Resonances: Noise and contemporary music, London: Bloomsbury, pp. 297–311.