REFERENCES
- Agamben, Giorgio (2009) What is an Apparatus? And other essays, trans. David Kishik and Stefan Pedatella, Stanford, CA: Stanford University Press.
- Adam, Barbara and Chris Groves (2007) Future Matters: Action, knowledge, ethics, Leiden: Brill.
- Adorno, Theodor (2004) Aesthetic Theory, London: Continuum.
- Anderson, Joel (2014) Theatre and Photography, Basingstoke: Palgrave Macmillan.
- Auslander, Philip (1999) Liveness: Performance in a mediatized culture, London: Routledge.
- Badiou, Alain (2013) Pornographie du temps present, Paris: Fayard.
- Barish, Jonas (1985) The Anti-Theatrical Prejudice, Berkeley, CA: University of California Press.
- Barthes, Roland (1993) Camera Lucida: Reflections on photography, trans. Richard Howarth, London: Vintage.
- Baudrillard, Jean (1983) ‘The ecstasy of communication’, in Hal. Foster (ed.) The Anti-Aesthetic: Essays on postmodern culture, Seattle, WA: Bay Press, pp 126–53.
- Baudrillard, Jean (1989) ‘The anorexic ruins’, in Dieter Kamper and Christoph Wulf (eds) Looking Back on the End of the World, New York, NY: Semiotext(e), pp. 29–45.
- Benjamin, Walter (2002) The Arcades Project, trans Howard Eiland and Kevin McLaughlin, Cambridge, MA: Harvard University Press.
- Bergson, Henri (1950) Matter and Memory, trans Nancy Paul and W. Scott Palmer, London: George, Allen, and Unwin.
- Blanchot, Maurice (1995) The Writing of the Disaster, trans. Ann Smock, Lincoln, NE: University of Nebraska Press.
- Brecht, Bertolt (2000) ‘No insight through photography’, in Brecht on Theatre&Radio, London: Methuen, p. 144.
- Brennan, Teresa (2000) Exhausting Modernity: Grounds for a new economy, London: Routledge.
- Burke-Gaffney, Brian (2013) ‘Gunkanjima: Stories and meanings’, in Yves Marchand and Romain Meffre, Gunkanjima, Göttingen: Steidl, pp. 11–15.
- Crone, Bridget, ed. (2012) ‘Introduction’, in The Sensible Stage and the Moving Image, Bristol: Picture This, pp. 5–17
- Dennis, Kelly (2009) Art/Porn: A history of seeing and touching, Oxford: Berg.
- Derrida, Jacques (1993) Memoirs of the Blind: The self-Portrait and other ruins, trans P. Brault and M. Naas, Chicago, IL: University of Chicago Press.
- Derrida, Jacques (1994) Spectres of Marx: The state of debt, the work of mourning and the new international, trans. Peggy Kamuf, London: Routledge.
- Derrida, Jacques (2005) The Politics of Friendship, trans. George Collins, London: Verso.
- Descotes-Toyosaki, Alissa (2013) ‘Memories of Hashima’, in Yves Marchand and Romain Meffre, Gunkanjima, Göttingen: Steidl, pp. 105–7.
- DeSilvey, Caitlin (2012) ‘Making sense of transience: An anticipatory history’, Cultural Geographies 19(1): 31–54.
- DeSilvey, Caitlin (2014) ‘Palliative curation: Art and entropy on Orford Ness’, in Bjørnar Olsen and Póra Pétursdóttir (eds) Ruin Memories: Materiality, aesthetics and the archaeology of the recent past, London: Routledge.
- Didi-Huberman, George (2007) ‘Visual experience, form and symptom according to Carl Einstein’, trans. C. F. B. Miller, Papers of Surrealism (7): 1–25.
- Dillon, Brian (ed.) (2011) Ruins, London: Whitechapel Art Gallery.
- Ferguson, Frances (2014) ‘Pornography as utilitarian structure: A conversation with Frances Ferguson’, in Tim Deal et al. (eds) Porn Archives, Durham, NC: Duke University Press, pp. 44–60.
- Goldberg, RoseLee (2007) Performa: New visual art Performance, New York, NY: Bar Code Graphics.
- Harvey, David (2010) The Enigma of Capital: And the crises of capitalism, London: Profile.
- Heathfield, Adrian and Amelia Jones (eds) (2012) Perform, Repeat, Record: Live Art in history, Chicago: University of Chicago Press.
- Hell, Judith and Andreas Schönle (eds) (2010) Ruins of Modernity, Durham, NC: Duke University Press.
- Jones, Amelia (1997) ‘Presence in Absentia: Experiencing performance as documentation’, Art Journal 56(4): 11–18.
- Kobayashi, Shinichiro (2004) No Man's Land: Gunkanjima, Kodansha: Japan.
- Leary, John Patrick (2011) ‘Detroitism’, Guernica: A magazine of art and Politics, www.guernicamag.com/features/leary_1_15_11 accessed 5 April, 2015.
- Lomax, Yves (2006) ‘Thinking stillness’, in David Green and Joanna Lowry (eds) Stillness and Time: Photography and the moving image, Brighton: Photoworks, pp. 55–64.
- Lyotard, Jean-François (1991) ‘Scapeland’, in The Inhuman: Reflections on time, trans. Geoffrey Bennington and Rachel Bowlby, Stanford, CA: Stanford University Press, pp. 182–90.
- Marchand Yves and Romain Meffre (2010) The Ruins of Detroit, Göttingen: Steidl.
- Marchand Yves and Romain Meffre (2013) Gunkanjima, Göttingen: Steidl.
- Marks, Laura (2000) Skin of the Film: Intercultural cinema, embodiment and the senses, Durham, NC: Duke University Press.
- Moore, Andrew (2010) Detroit Disassembled, Bologna: Damiani.
- Mullins, Paul (2012) ‘The politics and archaeology of “ruin porn”’, Archaeology and Material Culture, https:// paulmullins.wordpress.com/2012/08/19/the-politics-and-archaeology-of-ruin-porn, accessed 5 April 2015.
- Pétursdóttir, Póra and Bjørnar Olsen (2014) ‘Imaging modern decay: The aesthetics of ruin photography’, Journal of Contemporary Archaeology 1(1): 7–56.
- Phelan, Peggy (1993) Unmarked: The politics of performance, London: Routledge.
- Piccini, Angela (2014) ‘Profane archaeologies: Erotic ruins and a case for pornography’, Journal of Contemporary Archaeology 1(1): 29–33.
- Polter, Julie (2013) ‘Beyond ruin porn’, Sojouners Magazine: Faith in action for social justice, http://sojo.net/magazine/2013/08/beyond-ruin-porn accessed 2 April 2015.
- Pontbriand, Chantal (1982) ‘The eye finds no fixed point on which to rest … ’, Modern Drama 25(1): 154–62.
- Pusca, Anca (2010) ‘Industrial and human ruins of Post- Communist Europe’, Space and Culture 13(3): 239–55.
- Rancière, Jacques (2007) The Future of the Image, trans. Gregory Elliot, London: Verso.
- Sayre, Henry (1989) The Object of Performance: The American avant-garde since 1970, Chicago, IL: University of Chicago Press.
- Schneider, Rebecca (2001) ‘Performance remains’, Performance Research 6(2): 100–8.
- Schneider, Rebecca (2011) Performing Remains: Art and war in times of theatrical reenactment, London: Routledge.
- Serres, Michael and Bruno Latour (1995) Conversations on Science, Culture, and Time, trans. Roxanne Lapidus, Ann Arbor, MI: University of Michigan Press.
- Taylor, Diana (2003) The Archive and Repertoire, Durham, NC: Duke University Press.
- Trigg, Dylan (2006) The Aesthetics of Decay: Nothingness, nostalgia, and the absence of reason, Amsterdam: Peter Lang.
- Viney, Will (2014) Waste: A philosophy of things, London: Bloomsbury.
- Yûji, Saiga (2003) Gunkanjima, Nemuri no naka no kakusei, Japan: Tankosha.