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Performance Research
A Journal of the Performing Arts
Volume 20, 2015 - Issue 5: On Repetition
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Original Articles

Circular Paths of Pleasure in Marco Berrettini's iFeel2

References

  • Barthes, Roland (1975) The Pleasure of the Text, trans. by Richard Miller, New York: Hill & Wang.
  • Borges, Jorge Luis (1970) Labyrinths: Selected stories and other writings, eds Donald A. Yates and James E. Irby, London: Penguin.
  • Braunstein, Nestor (2003) in Jean-Michel Rabaté (ed.) The Cambridge Companion to Lacan, Cambridge: Cambridge University Press.
  • Connor, Steven (2013) ‘A time for such a word: On prophecy and performance’, a talk given at ‘In imagination: The future reflected in art and argument’, University of Sheffield, 4 October 2013.
  • Felman, Shoshana (2003) Scandal of the Speaking Body: Don Juan with J. L. Austin, or seduction in two languages, Stanford: Stanford University Press.
  • Fink, Bruce (1996) The Lacanian Subject: Between language and jouissance, Chichester: Princeton University Press.
  • Kartsaki, Eirini (2010) Repeat Repeat: Returns of Performance, PhD Thesis, Queen Mary University of London.
  • Lacan, Jacques (1977) The Four Fundamental Concepts of Psychoanalysis, ed. Jacques-Alain Miller, trans. Alan Sheridan, London: Penguin.
  • Phillips, Adam (1993) On Kissing, Tickling and Being Bored: Psychoanalytic essays on the unexamined life, London: Faber and Faber.
  • Žižek, Slavoj (1991) Looking Awry: An introduction to Jacques Lacan through popular culture, Cambridge, MA, and London: MIT Press.

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