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Performance Research
A Journal of the Performing Arts
Volume 20, 2015 - Issue 5: On Repetition
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REVIEW

On Repetition in Ragnar Kjartansson and The National's A Lot of Sorrow

REFERENCES

  • Adorno, Theodor (2001) The Culture Industry, New York: Routledge.
  • Attali, Jacques (1985) Noise: The political economy of music, Minneapolis: University of Minnesota Press.
  • Auslander, Philip (2012) ‘Repetition and theatricality in Ragnar Kjartansson's performance art’, in Heike Munder (ed.) Ragnar Kjartansson: To music, Zurich: J. R. P./Ringier.
  • Baudrillard, Jean (1994) Simulacra and Simulation, trans. Sheila Faria Glaser, Ann Arbor: University of Michigan Press.
  • Collingwood, R. G. (1960 [1945]) The Idea of Nature, New York: Oxford University Press.
  • Dessner, Bryce (2014) ‘A whole lot of sorrow’, in John Zorn (ed.) Arcana: Musicians on music VII, New York: Tzadik.
  • Evens, Aden (2005) Sound Ideas: Music, machines, and experience, Minneapolis: University of Minnesota Press.
  • Fink, Robert (2005) Repeating Ourselves: American minimal music as cultural practice, Berkeley: University of California Press.
  • Mertens, Wim (1983) American Minimal Music, London: Kahn & Averill.
  • Mirlesse, Sabine (2013) ‘Ragnar Kjartansson by Sabine Mirlesse’, in Bomb Magazine, July 3, http://bombmagazine.org/article/7241/ragnar-kjartansson, accessed 20 February 2015.
  • Reich, Steve (2002) Writings on Music, 1965–2000, New York: Oxford University Press.
  • Young, La Monte (2004 [1964]) ‘Dream House’, in La Monte Young and Marian Zazeela, Selected Writings, ubuClassics, pp. 10–16.

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