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Performance Research
A Journal of the Performing Arts
Volume 20, 2015 - Issue 6: On An/Notations
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Original Articles

Performances in Footnote Form

While You Are With Us Here Tonight

References

  • Babbage, Frances (2002) ‘Performing love: A week's discourse with Forced Entertainment’, Contemporary Theatre Review 12(4): 63–76.
  • Benstock, Shari (1983) ‘At the margins of discourse: Footnotes in the fictional text’, Modern Language Association 98(2): 204–25.
  • Claycomb, Ryan (2008) ‘Curtain up? Disrupted, disguised, and delayed beginnings in theater and drama’, in Bryan Richardson (ed.) Narrative Beginnings: Theory and practices, Nebraska: University of Nebraska, pp. 166–78.
  • Etchells, Tim (1999) Certain Fragments: Contemporary performance and Forced Entertainment, London: Routledge.
  • Etchells, Tim (2004) ‘A text on 20 years with 66 footnotes’, in Judith Helmer and Florian Malzacher (eds) Not Even a Game Anymore: The theatre of Forced Entertainment, Berlin: Alexander Verlag, pp. 269–90.
  • Etchells, Tim (2006) ‘Instructions for forgetting’, TDR: The Drama Review 50(3): 108–30.
  • Etchells, Tim (2008) ‘Map of time’, blog entry, 12 May, www.timetchells.com/notebook/may-2008/map-of-time, accessed 6 July 2015.
  • Etchells, Tim (2009) ‘Doing time’, Performance Research 14(3): 71–80.
  • Etchells, Tim (2013) While You Are With Us Here Tonight, London: Live Art Development Agency.
  • Forced Entertainment (1995) Nights in this City (performance text), Sheffield: Forced Entertainment.
  • Forced Entertainment (2001) First Night (performance text), Sheffield: Forced Entertainment.
  • Godard, Jean-Luc (1985) Jean-Luc Godard par Jean-Luc Godard, Paris: L’Étoile et Cahiers du cinéma.
  • Kastan, David Scott (2014) ‘The body of the text’, English Literary History 81(2): 443–67.
  • Kaye, Nick (1996) Art into Theatre: Performance interviews and documents, Abingdon: Routledge.
  • Kaye, Nick (2000) Site-Specific Art: Performance, place and documentation, Abingdon: Routledge.
  • Mermikides, Alex (2010) ‘Forced Entertainment: The Travels (2002) – The anti-theatrical director’, in Jen Harvie and Andy Lavender (eds) Making Contemporary Theatre: International rehearsal processes, Manchester: Manchester University Press, pp. 101–19.
  • Naden, Cathy (2003) ‘Inside Forced Entertainment: The route to The Travels’, Studies in Theatre and Performance 22(3): 133–8.
  • Oddey, Alison (1994) Devising Theatre: A practical and theoretical handbook, London: Routledge.
  • Williams, David A. (2009) ‘Killing the audience: Forced Entertainment's first night’, Australasian Drama Studies 54: 50–67.

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