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Performance Research
A Journal of the Performing Arts
Volume 21, 2016 - Issue 1: On Sleep
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Original Articles

Sleeplessness in Sleep

Beckett's gestures of dream

References

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  • Beckett, Samuel (1992) The Theatrical Notebooks of Samuel Beckett, Vol. III: Krapp's Last Tape, ed. James Knowlson, London: Faber and Faber.
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  • Beckett, Samuel (2006) The Complete Dramatic Works, London: Faber and Faber.
  • Beckett, Samuel (2012) Collected Poems, eds Sean Lawlor and John Pilling, London: Faber and Faber.
  • Beckett, Samuel (2014) Echo's Bones, ed. M. Nixon, London: Faber and Faber.
  • Benjamin, Walter (2009) The Origins of German Tragic Drama, trans. John Osborne, London: Verso.
  • Brater, Enoch (1987) Beyond Minimalism: Beckett's late style in the theater, New York: Oxford University Press.
  • Campbell, Julie (2009) ‘A voice comes to one in the dark. Imagine: Radio, the listener, and the dark comedy of All That Fall’, in Steven Barfield, Matthew Feldman and Philip Tew (eds) Beckett and Death, London and New York: Continuum, pp. 147–68.
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  • Farbman, Herschel (2008) The Other Night: Dreaming, writing, and restlessness in twentieth-century literature, New York: Fordham University Press.
  • Heidegger, Martin (1973) Being and Time, 7th edition, trans. John Macquarie and Edmund Robinson, Oxford: Basil Blackwell.
  • Heidegger, Martin (2001) Zollikon Seminars: Protocols, conversations, letters, ed. M. Boss, trans. Franz Mayr and Richard Askay, Evanston, IL: Northwestern University Press.
  • Knowlson, James (1996) Damned to Fame: The life of Samuel Beckett, London: Bloomsbury.
  • Knowlson, James and John Pilling (1979) Frescoes of the Skull, London: John Calder, 1979.
  • Maude, Ulrika (2002) ‘The body of memory: Beckett and Merleau-Ponty’, in Richard Lane (ed.) Beckett and Philosophy, Basingstoke: Palgrave Macmillan.
  • Rabaté, Jean-Michel (1996) ‘Beckett's ghosts and fluxions’, Samuel Beckett Today / Aujourd'hui 5 (Beckett & La Psychanalyse & Psychoanalysis): 23–41.
  • Sheehan, Paul (2009) ‘Beckett's ghosts: Monitoring a phenomenology of sleep’, in Ulrika Maude and Matthew Feldman (eds) Beckett and Phenomenology, London and New York: Continuum, pp. 158–76.
  • Weller, Shane (2008) Literature, Philosophy, Nihilism: The uncanniest of guests, London and New York: Continuum.
  • Weller, Shane (2009) ‘Phenomenologies of the Nothing: Democritus, Heidegger, Beckett’, in Ulrika Maude and Matthew Feldman (eds) Beckett and Phenomenology, London and New York: Continuum, pp. 39–55.

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