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Performance Research
A Journal of the Performing Arts
Volume 21, 2016 - Issue 1: On Sleep
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Original Articles

Drowsing in Theatre Performances

Lulling the audience's attention through sonic means

References

  • Alston, Adam (2013) ‘Audience participation and neoliberal value. Risk, agency and responsibility in immersive theatre’, Performance Research 18(2): 128–38. doi: 10.1080/13528165.2013.807177
  • Assmann, Aleida (2007) ‘Aufmerksamkeit im Medienwandel’, in Christina Lechtermann et al. (eds) Möglichkeitsräume. Zur Performativität von sensorischer Wahrnehmung, Berlin: Schmidt, pp. 209–27.
  • Augoyard, Jean-François and Henri Torgue (2005) Sonic Experience: A guide to everyday sounds, Montreal: McGill-Queen's University Press.
  • Carr, Nicholas (2011) The Shallows: How the internet is changing the way we read, think and remember, London: Atlantic Books.
  • Crary, Jonathan (2013) 24/7: Late capitalism and the ends of sleep, London and New York: Verso.
  • Fischer-Lichte, Erika (2000) Theater im Prozess der Zivilisation, Tübingen and Basel: Francke.
  • Han, Byung-Chul (2010) Müdigkeitsgesellschaft, Eighth Edition, Berlin: Matthes & Seitz.
  • Horne, Jim (2006) Sleepfaring: A journey through the science of sleep, Oxford: Oxford University Press.
  • McKenzie, Jon (2001) Perform or Else: From discipline to performance, London and New York: Routledge.
  • Nancy, Jean-Luc (2007) Tombe de sommeil, Paris: Éditions Galilée.
  • Nancy, Jean-Luc (2009) The Fall of Sleep, trans. Charlotte Mandell, New York: Fordham University Press.
  • Rancière, Jacques (2008) Le Spectateur émancipé, Paris: La Fabrique Éditions.
  • Strässle, Thomas (2013) Gelassenheit. Über eine andere Haltung zur Welt, Munich: Carl Hanser.
  • Waldenfels, Bernhard (2004) Phänomenologie der Aufmerksamkeit, Frankfurt am Main: Suhrkamp.

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