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Performance Research
A Journal of the Performing Arts
Volume 21, 2016 - Issue 1: On Sleep
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Original Articles

Kris Verdonck's EXIT

Between negative space and machinic sleep

References

  • Agamben, Giorgio (2002) The Open: Man and animal, trans. K. Attell, Stanford, CA: Stanford University Press.
  • Agamben, Giorgio (2009) What is an Apparatus? And other essays, trans. David Kishik and Stefan Pedatella, Stanford, CA: Stanford University Press.
  • Agamben, Giorgio (2014) L'uso dei corpi, Vicenza: Neri Pozza.
  • Ballard, James Graham and Amis, Martin (2010), The complete short stories of J. G. Ballard, New York (NY): WW Norton & Company.
  • Banu, George (1993) L'Acteur qui ne revient pas. Journées de théâtre au Japon, Paris: Gallimard.
  • Braidotti, Rosi (2013) The Posthuman, Cambridge: Polity.
  • Crary, Jonathan (2014) 24/7: Late capitalism and the ends of sleep, London and New York: Verso.
  • Han, Byung-Chul (2015) Psychopolitiek. Neoliberalisme en de nieuwe machtstechnieken, Amsterdam: Van Gennep.
  • Han, Byung-Chul (2014) De Vermoeide Samenleving: Drie essays, trans. Frank Schuitemaker, Amsterdam: Uitgeverij Van Gennep.
  • McKenzie, Jon (2001) Perform or Else: From discipline to performance, London and New York: Routledge.
  • Müller, Heiner (1995) Theatermachine, trans. M. von Henning, London: Faber and Faber Limited.
  • Müller, Heiner (2001) Die Stücke 2, Frankfurt am Main: Suhrkamp Verlag.
  • Tupivic, Jana (2015) ‘Theatre als negatieve ruimte’, Etcetera 141: 37–9.
  • Verdonck, Kris (2011) Program Leaflet EXIT.
  • Virno, Paolo, Sonja Lavaert and Pascal Gielen (2009) ‘The dismeasure of art’, in Pascal Gielen and Paul de Bruyne (eds) Being An Artist in Post-Fordist Times, Rotterdam: NAi Publishers.

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