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Performance Research
A Journal of the Performing Arts
Volume 21, 2016 - Issue 3: On Dialectics
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Original Articles

On Dialectics

References

  • Barnett, David (2013) ‘Performing dialectics in an age of uncertainty, or: Why post-Brechtian ≠ postdramatic’, in Karen Jürs-Munby, Jerome Carroll and Steve Giles (eds) Postdramatic Theatre and the Political: International perspectives on contemporary performance, London: Bloomsbury Methuen, pp. 47–66.
  • Boenisch, Peter M. (2014) ‘Who’s watching? Me!: Theatricality, spectatorship, and the Žižekian subject’, in Broderick Chow and Alex Mangold (eds) Žižek and Performance, Houndmills: Palgrave Macmillan, pp. 48–60.
  • Boenisch, Peter M. (2015) Directing Scenes and Senses: The thinking of Regie, Manchester: Manchester University Press.
  • Calvert, Dave (2016) ‘Everything has a fucking value’: Negative dialectics in the work of Back to Back Theatre, Contemporary Theatre Review, 26 (2) 134–152. doi: 10.1080/10486801.2015.1105799
  • Chow, Broderick, and Alex Mangold, eds (2014) Žižek and Performance, Houndmills: Palgrave Macmillan.
  • Conquergood, Dwight (2000) ‘Rethinking elocution: The trope of the talking book and other figures of speech’, Text and Performance Quarterly 20(4): 325–41. doi: 10.1080/10462930009366308
  • Daddario, Will, and Caroline Gritzner, eds (2014) Adorno and Performance, Houndmills: Palgrave Macmillan.
  • Gardner, Lyn (2015) ‘Naked artist Poppy Jackson straddles the personal and political’, 2 November, http://www.theguardian.com/stage/theatreblog/2015/nov/02/naked-artist-on-the-roof-spill-festival-of-performance, accessed 20 February 2016.
  • Gilroy, Paul (1993) The Black Atlantic: Modernity and double consciousness, Cambridge, MA: Harvard University Press.
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  • Hegel, Georg Wilhelm Friedrich (1976 [1807]) The Phenomenology of Spirit, trans. A. V. Miller, Oxford: Oxford University Press.
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  • Jameson, Fredric (2009) Valences of the Dialectic, London: Verso.
  • Johnson, E. Patrick (2010) ‘Poor “Black” Theatre’, Theatre History Studies 30: 1–13. doi: 10.1353/ths.2010.0026
  • Lott, Eric (1993) Love and Theft: Blackface minstrelsy and the American working class, Oxford: Oxford University Press.
  • Moten, Fred (2003) In the Break: The aesthetics of the black radical tradition, London: University of Minnesota Press.
  • Ollman, Bertell (2003) Dance of the Dialectic: Steps in Marx’s method, Champaign: University of Illinois Press.
  • Read, Alan (1993) Theatre and Everyday Life: An ethics of performance, London: Routledge.
  • Schneider, Rebecca (1997) The Explicit Body in Performance, London: Routledge.
  • Taylor, Linda (2014) ‘There are more of you than there are of us’: Forced Entertainment and the critique of the neoliberal subject’, in Broderick Chow and Alex Mangold (eds) Žižek and Performance, Houndmills: Palgrave Macmillan, pp. 126–41.
  • Žižek, Slavoj (1989) The Sublime Object of Ideology, London: Verso.
  • Žižek, Slavoj (2008) For They Know Not What They Do: Enjoyment as a political factor, London: Verso.

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