References
- Anon. a (n.d.a) ‘Notate Winterschlacht‘, Berlin, Berliner Ensemble Archive, file 18.
- Anon. b (n.d.b) ‘Zur Winterschlacht‘, Berlin, Bertolt Brecht Archive, file 940.
- Barnett, David (2011) ‘Undogmatic Marxism: Brecht as director at the Berliner Ensemble’, in Laura Bradley and Karen Leeder (eds) Brecht and the GDR: Politics, culture, posterity, Rochester, NY: Camden House, pp. 25–43.
- Brecht, Bertolt (1964) ‘Short Organum for the theatre’, in Bertolt Brecht, Brecht on Theatre: The development of an aesthetic, ed. John Willett, London: Methuen.
- Brecht, Bertolt (1993) ‘Spielen, was hinter den Vorgängen vorgeht’, in Bertolt Brecht, Schriften, volume two, eds Werner Hecht, Jan Knopf, Werner Mittenzwei and Klaus-Detlef Müller, Berlin and Frankfurt: Aufbau and Suhrkamp, pp. 520–3.
- Brecht, Bertolt (1995) Buch der Wendungen, in Bertolt Brecht, Prosa, volume three, eds Werner Hecht, Jan Knopf, Werner Mittenzwei and Klaus-Detlef Müller Berlin and Frankfurt: Aufbau and Suhrkamp, pp. 45–194.
- Brecht, Bertolt (2001) The Threepenny Lawsuit, in Bertolt Brecht, Brecht on Film and Radio, ed. Marc Silberman, London: Methuen.
- Brecht, Bertolt (2003) ‘Dialectics’, in Bertolt Brecht, Brecht on Art and Politics, eds Tom Kuhn and Steve Giles, London: Methuen, pp. 103–4.
- Brecht, Bertolt (2014a) Katzgraben Notes 1953, in Bertolt Brecht, Brecht on Performance: Messingkauf and Modelbooks, eds Tom Kuhn, Steve Giles and Marc Silberman, London: Bloomsbury, pp. 251–75.
- Brecht, Bertolt (2014b) ‘Short Organon for the theatre’, in Bertolt Brecht, Brecht on Theatre, 3rd edn, eds Marc Silberman, Steve Giles and Tom Kuhn London: Bloomsbury, pp. 229–55.
- Brecht, Bertolt (2014c) ‘The popular and the realistic’, in Bertolt Brecht, Brecht on Theatre, 3rd edn, eds Marc Silberman, Steve Giles and Tom Kuhn, London: Bloomsbury, pp. 200–6.
- Bunge, Hans (undated) Tagebuch einer Inszenierung: Bertolt Brecht führt Regie bei seinem Stück ‘Der kaukasische Kreidekreis’, Berlin, Bertolt Brecht Archive, file 945.
- Fuegi, John (1987) Bertolt Brecht: Chaos according to plan, Cambridge: Cambridge University Press.
- Giles, Steve (1998) Bertolt Brecht and Critical Theory: Marxism, modernity and the ‘Threepenny’ Lawsuit, 2nd, revised edn, Bern: Peter Lang.
- Giles, Steve (2012) ‘Realism after Modernism: Representation and modernity in Brecht, Lukács and Adorno’, in Jerome Carroll, Steve Giles and Maike Oergel (eds) Aesthetics and Modernity from Schiller to the Frankfurt School, Oxford: Peter Lang, pp. 275–96.
- Harvey, David (2014) Seventeen Contradictions and the End of Capitalism, London: Profile.
- Heeg, Günther (2011) ‘Brechts chinesische Wendungen: Me-ti und die Praxis kultureller Flexionen’, Brecht Yearbook 36: 135–48.
- Jameson, Fredric (1998) Brecht and Method, London: Verso.
- Jameson, Fredric (2009) Valences of the Dialectic, London: Verso.
- Livingstone, Rodney (1998) ‘Brecht’s Me-ti: A question of attitude’, in German Monitor 41: 62–73.
- Müller, Heiner (2008) ‘Da trinke ich lieber Benzin zum Frühstück’, in Heiner Müller, Gespräche, volume two, ed. Frank Hörnigk, Frankfurt/Main: Suhrkamp, pp. 431–45.
- Müller, Klaus Detlef (1980), ‘Me-ti‘, in Betty Nance Weber and Hubert Heinen (eds) Bertolt Brecht: Political theory and literary practice, Manchester: Manchester University Press, pp. 43–59.
- Mumford, Meg (2000) ‘Brecht on acting for the 21st century: Interrogating and re-inscribing the fixed’, Communications from the International Brecht Society 29(1 and 2): 44–9.
- Pikkety, Thomas (2014) Capital in the Twenty-First Century, Cambridge, MA: Belknap.
- Rülicke, Käthe (1953) [documentation of Katzgraben rehearsals], Berlin, Berliner Ensemble Archive, file 13.
- Rülicke, Käthe (1956) ‘Besprechung mit Brecht am 3. 1. 56 über die Notate der bisherigen Proben’, Berlin, Bertolt Brecht Archiv, file 2071.
- Stegemann, Bernd (2013) Kritik des Theaters, Berlin: Theater der Zeit.
- Stegemann, Bernd (2015) Lob des Realismus, Berlin: Theater der Zeit
- Tatlow, Antony (1977) The Mask of Evil: Brecht’s response to the poetry, theatre and thought of China and Japan. A comparative and critical evaluation, Bern: Peter Lang.
- Vestner, Margit (1995) ‘Der Aufstieg des Arturo Ui: 5. Bild– Stadthaus’, Berlin, Berliner Ensemble Archive, file 182.
- Wagner, Frank D. (2015) Hegel und Brecht: Zur Dialektik der Freiheit, Würzburg: Königshausen und Neumann.