On the Dialectics of Charisma in Marina Abramović’s The Artist is Present

References

• Akers, Matthew, Jeff Dupre, Maro Chermayeff, Marina Abramović, Donna Shepherd and Nathan Halpern (2012) Marina Abramović: The artist is present, HBO Documentary Films, Music Box Films.
   Google Scholar
• Allsopp, Rick, and David Williams (2006) ‘G-O’, Performance Research 11(3): 61–86. doi: 10.1080/13528160601111477
   Google Scholar
• Auslander, Philip (1997) From Acting to Performance: Essays in modernism and postmodernism, London: Routledge.
   Google Scholar
• Bass, Bernard M., and Paul Steidlmeier (1999) ‘Ethics, character, and authentic transformational leadership behavior’, The Leadership Quarterly 10(2): 181–217.
   Google Scholar
• Bryman, Alan (1992) Charisma and Leadership in Organizations, London: Sage.
   Google Scholar
• Caputo, John D. (1997) Deconstruction in a Nutshell: A conversation with Jacques Derrida, New York: Fordham University Press.
   Google Scholar
• Carlyle, Thomas (2007 [1840]) On Heroes, Hero-Worship, and the Heroic in History, Teddington, Middlesex: The Echo Library.
   Google Scholar
• Cummings, Lindsay B. (2011) ‘Reviving feeling performing Robert F. Kennedy in Kentucky’, Performance Research: A Journal of the Performing Arts 16(2): 83–90.
   Google Scholar
• Deer, Joe, and Rocco Dal Vera (2016) Acting in Musical Theatre: A comprehensive course, 2nd edn, London: Routledge.
   Google Scholar
• Ettinger, Bracha L. (2006a) ‘Matrixial trans-subjectivity’, Theory, Culture & Society 23(2–3): 218–22. doi: 10.1177/026327640602300247
   Web of Science ®Google Scholar
• Ettinger, Bracha L. (2006b) The Matrixial Borderspace (Essays from 1994–1999), Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• Giesbrecht, Harvey, and Charles Levin (2012) ‘Narcissism without apology: Art in the offertorium’, Contemporary Psychoanalytic Studies 15: 11–41.
   Google Scholar
• Goffee, Robert, and Gareth Jones (2005) ‘Managing authenticity. The paradox of great leadership’, Harvard Business Review (December): 87–94.
   PubMed Web of Science ®Google Scholar
• Goodall, Jane (2008) Stage Presence, London and New York: Routledge.
   Google Scholar
• Grint, Keith (1997) Leadership: Classical, contemporary and critical approaches, Oxford: Oxford University Press.
   Google Scholar
• Harding, Nancy (2014) ‘Reading leadership through Hegel’s master/slave dialectic: Towards a theory of the powerlessness of the powerful’, Leadership 10(4): 391–411.
   Google Scholar
• Harding, Nancy, Hugh Lee, Jackie Ford and Mark Learmonth (2011) ‘Leadership and charisma: A desire that cannot speak its name?’, Human Relations 64(7): 927–50.
   Google Scholar
• Hegel, Georg Wilhelm Friedrich (1977 [1807]) Phenomenology of Spirit, trans. A. V. Miller, Oxford: Oxford University Press.
   Google Scholar
• Jones, Amelia (2011) ‘”The Artist is Present” Artistic re-enactments and the impossibility of presence’, The Drama Review 55(1): 16–45. doi: 10.1162/DRAM_a_00046
   Web of Science ®Google Scholar
• Kenny, Kate, and Marianna Fotaki (2015) ‘From gendered organizations to compassionate borderspaces: Reading corporeal ethics with Bracha Ettinger’, Organization 22(2): 183–99.
   Google Scholar
• Lindholm, Charles (1990) Charisma, Oxford: Basil Blackwell.
   Google Scholar
• O’Dell, Leslie (2010) The Charismatic Chameleon: The actor as creative artist, Brighton: Sussex Academic Press.
   Google Scholar
• O’Hagan, Sean (2010) ‘Interview: Marina Abramović’, The Observer, Sunday 3 October, http://www.theguardian.com/artanddesign/2010/oct/03/interview-marina-abramovic-performance-artist, accessed 12 November 2014.
   Google Scholar
• Power, Cormac (2008) Presence in Play: A critique of theories of presence in the theatre, Amsterdam: Rodopi.
   Google Scholar
• Rea, Ken (2014) ‘Nurturing the outstanding actor: Lessons from action research in a drama school’, New Theatre Quarterly 30(3): 231–42. doi: 10.1017/S0266464X14000475
   Web of Science ®Google Scholar
• Rieff, Philip (2007) Charisma: The gift of grace, and how it has been taken away from us, Toronto: Random House.
   Google Scholar
• Roach, Joseph (2007) It, Ann Arbor: University of Michigan Press.
   Google Scholar
• Shepherd, Simon (1999) ‘Erotic silence’, Performance Research: A Journal of the Performing Arts 4(3): 34–9. doi: 10.1080/13528165.1999.10871690
   Google Scholar
• Sinclair, Amanda (2011) ‘Leading with body’, in Emma Jeanes, David Knights and Patricia Yancey Martin (eds) Handbook of Gender, Work and Organization, Chichester: John Wiley and Sons, pp. 117–30.
   Google Scholar
• Taylor, Scott (2015) ‘Trait theories of leaders and leadership: From ancient Greece to twenty-first century neuroscience’, in Brigid Carroll, Jackie Ford and Scott Taylor (eds) Leadership: Contemporary critical perspectives, London: Sage, pp. 26–44.
   Google Scholar
• Tourish, Dennis (2013) The Dark Side of Transformational Leadership: A critical perspective, London and New York: Routledge.
   Google Scholar
• Weber, Max (1968 [1925]) Economy and Society, three volumes, eds and trans. Guenther Roth and Claus Wittich, New York: Bedminster.
   Google Scholar
• Willner, Ann Ruth (1984) The Spellbinders: Charismatic political leadership, New Haven: Yale University Press.
   Google Scholar