References
- Alexander, Jeffrey C. (2006) ‘Cultural pragmatics: Social performance between ritual and strategy’, in Jeffrey C. Alexander, Bernhard Giesen and Jason L. Mast (eds) Social Performance – Symbolic Action, Cultural Pragmatics and Ritual, Cambridge: Cambridge University Press, pp. 29–89.
- D’Agua.
- Berger, G. (1972) ‘Introduction’, in Leo Apostel, CERI, L’Interdisciplinarité. Problèmes d’enseignement et de recherche dans les universités, Paris: OCDE, pp. 21–69.
- Canclini, Néstor García (2001 [1990]) Culturas híbridas: Estratégias para entrar y salir de la modernidad, Barcelona: Editorial Paidós.
- Fernandes, Maria João, and Carla Carbone (2000) ‘Entrevista a Ana Hatherly’, Arte Teoria, Revista do Mestrado de Arte da Faculdade de Belas Artes da Universidade de Lisboa 1(40–4).
- Galhós, Cláudia (2005) ‘O pós-Nova Dança – um balanço nacional em vésperas do Dia Mundial da Dança’, Cartaz, Jornal Expresso, 25 April.
- Goldberg, RoseLee (2001) Performance Art: From Futurism to the Present, New York: Thames & Hudson.
- Jantsch, E. (1972) ‘Vers l’interdisciplinarité et la transdisciplinarité dans l’enseignement et la l’Innovation’, in Leo Apostel, CERI, L’Interdisciplinarité. Problèmes d’enseignement et de recherche dans les universités, Paris: OCDE, pp. 98–125.
- Latour, Bruno (1993 [1991]) We Have Never Been Modern, Cambridge, MA: Harvard University Press.
- Lyotard, Jean-François (1984 [1979]) The Postmodern Condition: A Report on Knowledge, Manchester: Manchester University Press.
- Lyotard, Jean-François (1987) O Pós-Moderno explicado às crianças, Lisbon: Publicações Dom Quixote.
- Lyotard, Jean-François (1982) Post-modern Explained for Children: Correspondence, 1982-85, US: University of Minnesota Press
- Nicolescu, Basarab (1999) O Manifesto da Transdisciplinaridade, São Paulo: Centro de Estudos Marina e Martin Harvey Editorial e Comercial.
- Madeira, Cláudia (2007) ‘O Hibridismo nas Artes Performativas em Portugal’, PhD thesis, Lisbon: ICS-UL.
- Madeira, Cláudia (2012) ‘The “return” of performance art from a glocal perspective’, Cadernos de arte & antropologia 1(2): 87–102.
- Madeira, Cláudia (2015) ‘Performance art in Portugal in the mid-1980s? A drift towards music?’, in Paula Guerra and Tânia Moreira (eds) Book Proceedings International Conference Keep it Simple, Make it Fast!, Universidade do Porto, July. 2015 pp. 109–15.
- Melo, Alexandre (1998) ‘About performance’, in André Lepecki (ed.) Theatreschrift: Intensification – Contemporary Portuguese Performance, pp. 123–35
- Milevska, Suzana (2006) Participatory Art – A Paradigm Shift from Objects to Subjects, http://www.springerin.at/dyn/heft_text.php?lang=en&textid=1761, accessed 4 April 2016.
- Morin, Edgar, and Massimo Piattelli-Palmarini (1983) ‘L’unité de ĺhomme comme fondement et aproche interdisciplinaire’, in Interdisciplinarité et sciences humaines, UNESCO, Vendôme: Presses Universitaires de France, vol. 1, pp. 191–218.
- Mosquera, Gerardo (2003) ‘Alien-own/own alien’, in Nikos Papastergiadis (ed.) Complex Entanglements – Art, Globalisation and Cultural Difference, London, Sydney, Chicago: Rivers Oram Press, pp. 18–29.
- Oliva, Achillle Bonito (1982) Transavant-garde internacional, Milan: Giancarlo Politi Editora.
- Oliva, Achillle Bonito (1988) ‘Da vanguarda à transvanguarda’, Revista de Comunicação e Linguagens, Moderno/Pós-Moderno, eds Adriano Duarte Rodrigues and José Bragança de Miranda, 6/7: 125–30.
- Papastergiadis, Nikos (2003) ‘South-south-south’, in Nikos Papastergiadis (ed.) Complex Entanglements – Art, Globalisation and Cultural Difference, London, Sydney, Chicago: Rivers Oram Press.
- Perdigão, Maria Madalena Azeredo (1987) Introduction, in Catálogo Encontros Acarte, Lisbon: Fundação Calouste Gulbenkian.
- Piaget, J. (1972) ‘L’Épistémologie des relations interdisciplinaires’, in Leo Apostel, CERI, L’Interdisciplinarité. Problèmes d’enseignement et de recherche dans les universités, Paris: OCDE, pp. 131–44.
- Pieterse, Jan Nederveen (1994) ‘Globalisation as hybridisation’, International Sociology 9(2): 161–84. doi: 10.1177/026858094009002003
- Pieterse, J. Nederveen (1995) ‘Globalization as hybridization’, in Mike Featherstone, Scott Lash and Roland Robertson (eds) Global Modernities, London: SAGE.
- Pieterse, Jan Nederveen (2001) ‘Hybridity. So what? The anti-hybridity backlash and the riddles of recognition’, Theory, Culture & Society 18 (2–3): 219–45. doi: 10.1177/026327640101800211
- Pieterse, Jan Nederveen (2004) Globalisation & Culture: Global Mélange, Lanham, MD: Rowman & Littlefield Publishers, Inc.
- Pombo, Olga (2004) Interdisciplinaridade: Ambições e Limites, Lisbon: Relógio D´Água.
- Remshardt, Ralf E. (2004) Staging the Savage God – The Grotesque in Performance, Carbondale: Southern Illinois University.
- Rosas, Fernando (2001) ‘O salazarismo e o homem novo: ensaio sobre o Estado Novo e a questão do totalitarismo’, Análise Social XXXV(157): 1031–54.
- Silva, Paulo Cunha e (2004) ‘On circulation’, in Eating Your Heart Out, Rui Chafes, Vera Mantero, Catalogue 26th São Paulo Biennial, Portuguese Representation Lisbon: Instituto das Artes.
- Sousa, Carlos Mendes de, and Eunice Ribeiro, eds (2004) Antologia da Poesia Experimental Portuguesa – Anos 60– Anos 80, Coimbra: Angelus Novos editora.
- Sousa, Ernesto de Sousa (1998) ‘Alternativa zero’, in Isabel Alves and José Miranda Justo (eds) Ser Moderno em Portugal, Lisbon: Assírio & Alvim.
- Stross, Brian. (1999) ‘Theorizing the hybrid’, The Journal of American Folklore 112(445): 254–67.
- Taylor, Diana (2003) The Archive and the Repertoire – Performing Cultural Memory in the Americas, Durham, NC: Duke University Press.
- Tchen, Adelaide Ginga (2001) A Aventura Surrealista – O movimento em Portugal do casulo à transfiguração, Lisbon: Edições Colibri.
- Turner, Victor (1988) Anthropology of Performance, New York: Paj Publications.
- Wandschneider, Miguel (2000) in First Congress Permanent Hiperdada, http://hiperdada.planetaclix.pt/mesa_redonda.htm, accessed 20 June 2016
- Wagner, Richard (2000 [1849]) A Arte e a Revolução, Lisbon: Antígona.
- Wagner, Richard (2003 [1849]) A Obra de Arte do Futuro, Lisbon:Antígona.
- Zolberg, Vera L., and Joni Maya Cherbo, eds (1997) Outsider Art: Contesting Boundaries in Contemporary Culture, Cambridge: Cambridge University Press.