References
- Auslander, Philip (2002) ‘Live from cyberspace: Or, I was sitting at my computer this guy appeared he thought I was a bot’, PAJ: A Journal of Performance and Art 24(70): 16–21.
- Auslander, Philip (2010) ‘Humanoid boogie: Reflections on robotic performance’, in David Krasner and David Z. Saltz (eds) Staging Philosophy: Intersections of Theater, Performance, and Philosophy, Theater: Theory/Text/ Performance (series), Ann Arbor: University of Michigan Press, pp. 87–103.
- Barnes, Allison, and Paul Thagard (1997) ‘Empathy and analogy’, http://cogsci.uwaterloo.ca/Articles/Pages/Empathy.html, accessed 22 February 2016.
- Benjamin, Walter (1936) The Work of Art in the Age of Mechanical Reproduction, https://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm, accessed 22 February 2016.
- Bentley, Eric (1964) The Life of the Drama, New York: Applause Theatre Books.
- Blau, Herbert (2002) ‘The human nature of the bot: A response to Philip Auslander’, PAJ: A Journal of Performance and Art 24(70): 22–4.
- Boibot (2016) http://www.boibot.com/en/help.html, accessed 13 July 2016.
- Brown, Kevin (2006) ‘Auslander’s robot’, PADM: International Journal of Performance Arts and Digital Media 2(1): 3–21. doi: 10.1386/padm.2.1.3/1
- Brown, Kevin (2008) ‘The Auslander Test: or, “Of Bots and Humans”’, PADM: International Journal of Performance Arts and Digital Media, 4(2&3): 181–8. doi: 10.1386/padm.4.2_3.181_1
- Cornell Creative Machines Lab (2016) AI vs. AI: Two Chatbots Talking to Each Other http://creativemachines.cornell.edu/AI-vs-AIaccessed 23 February 2016.
- Fulekar, M. H. (2010) Nanotechnology: Importance and Applications, New Delhi-Bangalore: I. K. International Pvt Ltd.
- Goffman, Erving (1976) Frame Analysis: An Essay on the Organization of Experience, Boston: Northeastern University Press.
- Green, Nicola (1997) ‘Beyond being digital: Representation and virtual corporeality’, in David Holmes (ed.) Virtual Politics: Identity and Community in Cyberspace, Politics and Culture, London: Sage, pp. 59–76.
- Jackson, Philip C. Jr. (1985) Introduction to Artificial Intelligence, New York: Dover Publications.
- Jones, Amelia (2006) Self/Image: Technology, Representation and The Contemporary Subject, New York: Routledge.
- Laurel, Brenda (1993) Computers as Theatre, Boston: Addison-Wesley Publishing Company Incorporated.
- Leonard, Andrew (1997) Bots: The Origin of New Species, San Francisco: HardWired.
- McLuhan, Marshall with Quentin Fiore (2001 [1967]) The Medium is the Message: An Inventory of Effects, Cote Madera: Gingko Press.
- Mori, Masahiro (1970) ‘The uncanny valley’, Energy 7(4): 33–5.
- Olf, Julian (1974) ‘The man/marionette debate in modern theatre’, Educational Theatre Journal 26(4): 488–94, http://www.jstor.org/stable/3206610, accessed 22 February 2016. doi: 10.2307/3206610
- The Alan Turing Internet Scrapbook: The Turing Test, 1950 (1997) http://www.turing.org.uk/scrapbook/test.html, accessed 13 July 2016.
- Timplalexi, Eleni (2014) ‘Experiments in automatic writing: A case study analysis of digital storytelling as collaborative performance at times of artistic crisis’, http://www.neliepixel.com/PAPER_dst_eleni_timplalexi_presentation.pdf, accessed 23 February 2016.
- Wilder, Carol (1998) ‘Being analog’, in The Postmodern Presence, Arthur Berger, ed., London: Sage.