REFERENCES
- Casco (2015) Statement for ‘We Are the Time Machines, Exhibition Project (2015-2016), http://cascoprojects.org/tools-tooling, accessed 5 September 2016.
- Choi, Binna and Marion von Osten (2014) ‘Trans-local, post-isciplinary organizational practice: A conversation between Binna Choi and Marion von Osten’, in Emily Pethick, Binna Choi and Maria Lind (eds) Cluster: Dialectionary, Berlin: Sternberg Press, pp. 274–285.
- García-Dory, Fernando (2010), INLAND (2010 …), www.fernandogarciadory.info/index.php?/projects/inland/, accessed 5 September 2016.
- Lütticken, Sven (2015) ‘Social Media: Practices of (In) Visibility in Contemporary Art’ in Afterall. A Journal of Art, Context and Equiry, 40 (8) autumn/winter: 519.
- Phillips, Andrea (2014) ‘Remaking the Arts Centre’, in Emily Pethick, Binna Choi and Maria Lind (eds) Cluster – Dialectionary. Berlin: Sternberg Press, pp. 214–230.
- Sobel, Victoria and Casey Gollan (2016) Email invitation for the presentation of Free Cooper Union, sent by New Theatre and Between Bridges on 15 January 2016, quotes from a biographical entry on Sobel and Gollan published at different places online such as the New York Vera List
- Center for Art and Politics, www.veralistcenter.org/engage/people/1991/victoria-sobel-and-casey-gollan/, accessed 5 September 2016.
- Vazquez, Alfredo Macias and Pablo Alonso Gonzalez (2016) ‘Knowledge Economy and the Commons: A Theoretical and Political Approach to Postneoliberal Common Governance’, in Review of Radical Political Economics 48 (1) March: 140–157. doi: 10.1177/0486613415586991
- Vishmidt, Marina (2017) Beneath the Atelier, the Desert: Critique Institutional and Infrastructural in Maria Hlavajova and Tom Holert (eds.), Marion von Osten. Once We Were Artists. A BAK Critical Reader in Artists’ Practice, Utrecht: BAK, basis voor actuele kunst, forthcoming.